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Yamatour 2019: Anton Brandt, part 2

Posted on April 10, 2018 by TimEldred
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Sound Director Interview, January 2018

Posted on April 10, 2018 by TimEldred
1

The role of an anime sound director is second only to that of an animation director, since sound tells parts of the story that images cannot. In this interview with Gigazine, Yamato 2202 Sound Director Tomohiro Yoshida discusses his role in detail and examines the history of Yamato sound.

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Posted in Yamato 2202, Yamato 2202 Interviews, Yamato 2202 Music | 1 Reply

Yamato 2202 Report 33, part 2

Posted on April 7, 2018 by TimEldred
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Yamato 2202 Report 33, part 3

Posted on April 7, 2018 by TimEldred
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Yoshimasa Hosoya Interviews, January 2018

Posted on April 5, 2018 by TimEldred
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Chapter 4 brought actor Yoshimasa Hosoya into the spotlight, who supplies the voice of fighter ace Saburo Kato. In these three interviews, he shares his insight on the character and offers a new look into the world of Yamato voice recording.

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Yamato mecha designs

Posted on April 4, 2018 by TimEldred
2

Animation designs for Yamato, its support craft, props and interiors from 1978 and 1979, created for Farewell to Yamato and Yamato 2.

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Posted in Articles (Farewell to Yamato) | 2 Replies

Yamato 2202 Newspaper 4

Posted on March 18, 2018 by TimEldred
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3-meter display models, March 2019

Posted on March 18, 2018 by TimEldred
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Andromeda fan models, February 2019

Posted on March 18, 2018 by TimEldred
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Character fan art, February 2019

Posted on March 18, 2018 by TimEldred
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Yakitori Yamato fan event, February 17, 2019

Posted on March 18, 2018 by TimEldred
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Fightercraft fan models, February 2019

Posted on March 18, 2018 by TimEldred
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Yamato World tie-in products, 2019

Posted on March 18, 2018 by TimEldred
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Yamato 2202 Chapter 7 program book

Posted on March 18, 2018 by TimEldred
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Yamato 2202 Chapter 7 theater goods

Posted on March 18, 2018 by TimEldred
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Fan models, February 2018

Posted on March 18, 2018 by TimEldred
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Yamato 2202 Chapter 7 blu-ray booklet

Posted on March 18, 2018 by TimEldred
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Mecha fan art, February 2019

Posted on March 18, 2018 by TimEldred
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Queen Emeraldas cruise

Posted on March 18, 2018 by TimEldred
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Wonder Festival 2019 Winter, February 2019

Posted on March 18, 2018 by TimEldred
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Yamatour 2019 Travelogue, Part 2

Posted on March 17, 2018 by TimEldred
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Yamatour 2019 Travelogue, Part 3

Posted on March 17, 2018 by TimEldred
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Yamato 2202 story questions

Posted on March 17, 2018 by TimEldred
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Yamatour 2019 Travelogue, Part 4 (finale)

Posted on March 17, 2018 by TimEldred
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Yamato 2202 Report 31, part 2

Posted on March 16, 2018 by TimEldred
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Yamato 2202 production art

Posted on March 15, 2018 by TimEldred
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Space Battleship Yamato 2202 Report 19

Posted on March 13, 2018 by TimEldred
2

After the gigantic month of January, there was ample momentum with Chapter 4 in theaters for most of the month leading right up to the home video release. Many live events and new product releases made it a month to remember. Here’s everything that went down…

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Posted in Yamato 2202, Yamato 2202 Reports | 2 Replies

Tomonori Kogawa interview, January 2018

Posted on March 12, 2018 by TimEldred
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If there was an anime pantheon, Tomonori Kogawa would surely be in it. His contributions to the art form have been foundational and his influence as a mentor has been multi-generational. Here he candidly discusses his work on Yamato and many other classic titles.

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Koichi Yamadera Interviews, January 2018

Posted on March 9, 2018 by TimEldred
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Voice actor Koichi Yamadera can make a singular claim when it comes to Yamato having played both Kodai AND Dessler on separate occasions. His return in Yamato 2202 Chapter 4 was hyped by four separate interviews that appeared in the media just before the January 2018 premiere. All four are presented here.

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Interview with Novelist Yuka Minakawa

Posted on March 8, 2018 by TimEldred
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As an experienced novelizer of anime properties from Gundam to Street Fighter, Yuka Minakawa was eminently qualified to take on Yamato 2202. With two volumes published, Minakawa discusses the intricacies of adapting the legend to pure text and walking the tightrope of high expectations.

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