In April 1982, Yoshinobu Nishizaki conducted a press conference that officially broke the news of Final Yamato‘s production. He gave editors plenty to sink their teeth into, and beginning with their July issues (published in June), they kicked off what would become almost a year of non-stop Yamato coverage.
From Hyper Hobby #178, June 2013. A conversation with the producer and sculptor of toy manufacturer Megahouse all about the creation of the 1/8 Yamato Girls figure collection, highlighting the challenges of developing Yuki Mori and Akira Yamamoto in three dimensions.
2199 previously gotten a boost from this gossip magazine back in April 2012 just after the premiere of Chapter 1, and this followup called attention to the program’s numerous attractions for TV viewers.
From the 2199 Chapter 6 program book. Mr. Imanishi talks about how he became involved in the series, how the CG side was developed, and his hopes for how the program will be remembered.
Maxon is a 3D software developer that created Cinema 4D, which serves as a platform for some of the CG imagery in Yamato 2199. High-end users of the software occasionally tell their stories on the company website, and in this case, it was 2199 director of photography Takashi Aoki.
The June 2013 issue of Great Mechanics DX featured a revealing interview about the marketing side of Yamato 2199, conducted with Production IG producer Mikio Gunji. This website has covered the marketing of the series at every step, and now the strategy behind that marketing is finally revealed.
April and May 2013: new CD singles, Treasure Festa Hobby Show, TV episodes 5-8, manga chapter 14, Shizuoka hobby show, voice actor talk event, Pormelia model kit released, Mega Hobby Expo, Chapter 5 on home video, the trailer for Chapter 6, coverage from Animedia, Yomiuri Online, and the hobby magazines.
April 2013: Niigata museum exhibit, manga chapter 13, the Official DVD Guidebook, the premiere of Chapter 5 and articles from the program book, TV episodes 2-4, Yamatalk Night 5, the Yuki Mori figure and many other products appear, and coverage from Animedia and the hobby magazines. [2 pages]
One week of events to promote the TV premiere in April 2013: MBS Character Festival in Osaka, more secrets of Chapter 5, Bandai’s model kit developer interviewed, newspapers give away 2199 posters, Yamato girls at the MBS countdown booth in Akihabara, and the TV episode simulcasts begin on NicoNico.
March 2013: the trailers for Chapter 5, the Yamato race car, secrets from Chapter 5, new books announced, manga chapter 12, Banpresto’s D-Fleet, Cosmo Zero Alpha 2 released, Tokyo International Anime Fair, UNCF model kit set 2, coverage in hobby magazines and Great Mechanics DX.
January 2013: The TV broadcast is announced, Chapter 4 premiere and merchandising, translated articles from the Chapter 4 program book, premium shop products, mecha commentary, Yamatalk Night 4, new coverage in New Type and the hobby magazines, and Garmillas Warships set 1 is released. [2 pages]
December 2012: the first art book, manga chapter 10, the Cosmo Zero Alpha 1 kit is announced, coverage in Great Mechanics DX and the monthly hobby magazines, the Yamato premium shop opens, the Chapter 4 trailer, and new 2199 doujinshi appear.
Here is a complete synopsis of Space Battleship Yamato Resurrection combined with stills from various sources. This synopsis gives EVERYTHING away. You must decide whether you want to know it all now or wait to see the movie for yourself. This website bears no responsibility for your choice.
Like all the best success stories, this one is about a juggernaut that no one saw coming. Even with 20/20 hindsight it is still impossible to overstate the impact of Yamato music on the world of anime, the result of extraordinary talent, perserverance, and foresight. It’s a story that begins with Producer Yoshinobu Nishizaki.
Composer Hiroshi Miyagawa did more than change the world of anime music with his brilliant Symphonic Suite Yamato in 1977. He also planted the seeds for a whole new crop of Yamato music: the concept album. Fans’ cups ran over as one album after another explored the outer limits of the Miyagawa universe.
