{"id":40231,"date":"2024-04-01T15:33:18","date_gmt":"2024-04-01T22:33:18","guid":{"rendered":"https:\/\/www.ourstarblazers.com\/vault\/?p=40231"},"modified":"2025-04-02T21:57:03","modified_gmt":"2025-04-03T04:57:03","slug":"50thexhibit02","status":"publish","type":"post","link":"https:\/\/www.ourstarblazers.com\/vault\/50thexhibit02\/","title":{"rendered":"The Birth, part 1"},"content":{"rendered":"<p><!--more--><\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thmap2.JPG\" border=0 \/><\/p>\n<p><\/br><\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0201.JPG\" border=0 \/><\/p>\n<p><\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0202.JPG\" border=0 \/><\/p>\n<p>The name for this room, &#8220;The Birth,&#8221; was a nod to a track title on the <em>Symphonic Suite Yamato<\/em> album. A few other rooms in the exhibition did the same.<\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0203.JPG\" border=0 \/><\/p>\n<p>Portrait of Yoshinobu Nishizaki (it was always rare to see him smile in photos).<\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0204.JPG\" border=0 \/><\/p>\n<p><em>Sign:<\/em><\/p>\n<p>A number of image boards from the early planning stages. Based on Yoshinobu Nishizaki&#8217;s idea of a \u201cship flying through space,&#8221; Eiichi Yamamoto (director), Keisuke Fujikawa (screenwriter), and Aritsune Toyota (screenwriter and science-fiction author) each added their own ideas, and the basic story of <em>Yamato<\/em> was formed, in which a giant spaceship undertakes a long journey to save the Earth.<\/p>\n<p>Many of the images seen here, including the visuals of the Asteroid Ship, which is covered in bedrock and travels through space, are still heavily influenced by 1960s science-fiction imagery, and the characters are also strongly influenced by the gekiga boom of the 1970s. The battleship was based on the image of the battleship <em>Mikasa<\/em> from the Meiji and Taisho periods, but as the design was refined, it began to resemble the battleship <em>Yamato<\/em>.<\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0205.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0206.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0207.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0208.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0209.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0210.JPG\" border=0 \/><\/p>\n<p>Display case: the original proposal book and early ship concepts.<\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0211.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0212.JPG\" border=0 \/><\/p>\n<p><em>Sign:<\/em><\/p>\n<p>Around the beginning of 1974, when the broadcast was being decided, character and visual images were requested from Leiji Matsumoto, who was active as a manga artist at the time, and these designs were drawn.<\/p>\n<p>Matsumoto had a deep knowledge of mecha and military-related fields, having published works with a strong science-fiction flavor such as <em>Super 99<\/em> and <em>Light Speed Esper<\/em>, and he also had a great interest in animation, even building his own filming stand. Although the order in which Matsumoto&#8217;s drawings were made is unknown, he made significant changes to the visual image of the work, and also made a great contribution to the story despite the fact that the broadcast was due to start in October. In addition, the visual image that was presented would go on to have a significant impact on Japanese SF anime in the years that followed.<\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0213.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0214.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0215.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0216.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0217.JPG\" border=0 \/><\/p>\n<p>The bottom two images have never been published. This was their first time in public view.<\/p>\n<p><\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0218.JPG\" border=0 \/><\/p>\n<p> <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/apr25\/50thexhibit0219.JPG\" border=0 \/><\/p>\n<p>After this, we turn the corner to continue &#8220;The Birth.&#8221;<\/p>\n<p> <\/p>\n<p><a href='https:\/\/www.ourstarblazers.com\/vault\/50thexhibit02'>Continue to part 2<\/a> <\/p>\n<p><a href='https:\/\/www.ourstarblazers.com\/vault\/046b'>Return to index<\/a> <\/p>\n<p><\/br><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-40231","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/40231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/comments?post=40231"}],"version-history":[{"count":3,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/40231\/revisions"}],"predecessor-version":[{"id":40238,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/40231\/revisions\/40238"}],"wp:attachment":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/media?parent=40231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/categories?post=40231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/tags?post=40231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}