{"id":32682,"date":"2022-08-03T22:52:47","date_gmt":"2022-08-04T05:52:47","guid":{"rendered":"https:\/\/www.ourstarblazers.com\/vault\/?p=32682"},"modified":"2026-01-23T14:52:29","modified_gmt":"2026-01-23T22:52:29","slug":"679a","status":"publish","type":"post","link":"https:\/\/www.ourstarblazers.com\/vault\/679a\/","title":{"rendered":"Vintage Report 4: 1977, Part 1"},"content":{"rendered":"

\"2208icon\"<\/p>\n

It is no exaggeration to state that the period covered in this report was the most pivotal time in all of Yamato<\/em> history. The movie that would change everything was already in production as the year began and there was low-level buzz about it, but getting that movie in front of the public was the key to everything that followed.<\/p>\n

<\/div>\n

<\/p>\n

It is no exaggeration to state that the period covered in this report was the most pivotal time in all of Yamato<\/em> history. The movie that would change everything was already in production as the year began and there was low-level buzz about it, but getting that movie in front of the public was the key to everything that followed. If any part of the process had gone differently, Space Battleship Yamato<\/em> might well be remembered now as a single TV series that was too far ahead of its time to succeed.<\/p>\n

<\/p>\n

January 1: Yamato Association No. 1 doujinshi<\/h3>\n

Independent fan clubs were still at the forefront of activity, none moreso than Yamato Association, the new and improved (and more limited) version of Yamato Laboratory. The first sign of exactly how improved they were was the debut issue of their new doujinshi (fanzine), simply titled Yamato<\/em>.<\/p>\n

This extravagant 62-pager was a compilation of the best material from their previous ‘zines, including an exclusive interview with Director Noboru Ishiguro. See it from cover to cover (and read the interview) here<\/a>. <\/p>\n

<\/p>\n

January 1: Manga Shonen<\/em> February issue<\/h3>\n

There was no Yamato<\/em> coverage in this one, but it did contain a full page ad from Sonorama for the original Space Battleship Yamato<\/em> novelization, along with two other titles. (Read it from cover to cover here<\/a>.)<\/p>\n

<\/span>
\n<\/p>\n

January: Yamato\/Triton<\/em> EP<\/h3>\n

Before Yamato<\/em>, there was an earlier Yoshinobu Nishizaki anime that inspired a similar level of devotion: Triton of the Sea<\/em>. It was a 1972 TV series based on an Osamu Tezuka manga (English edition released in two volumes by Digital Manga Publishing, 2013). Due to a “clerical error,” Nishizaki wound up with animation rights after working for Tezuka, and he made good use of them.<\/p>\n

Triton<\/em> was the first known anime to spawn its own fan club and inspire fans to seek out the production studio, just as Yamato<\/em> did in 1974. The show also had quite a rousing theme song, which gave Nippon Columbia a good excuse to gang up its songs with Yamato<\/em>‘s onto a 4-track EP. That made this the first Yamato<\/em> single since December 1974.<\/p>\n

Read more about Triton<\/em> here<\/a>. Listen to the title song here<\/a>.<\/p>\n

<\/p>\n

January 25: Iscandar<\/em> Vol. 1 doujinshi<\/h3>\n

There was always room for another fan club! Iscandar<\/em> was the doujinshi for CBYC (Cosmo Battleship Yamato Connection), a 28-page debut with art, analysis and fanfic. Arriving just in time for the coming groundswell, it would continue through the summer of 1980.<\/p>\n

See it from cover to cover here<\/a>.<\/p>\n

<\/p>\n

<\/p>\n

February: Space Battleship Yamato<\/em> parody manga doujinshi<\/h3>\n

This curious artifact was a small-format fanzine from a fan group called Tokiwa Publishing. About the size of a paperback, it was branded as Tokiwa Action Comics 1<\/em> and contained a 50-page parody manga mashup combining Yamato, Captain Harlock<\/em>, and Cyborg 009<\/em> characters.<\/p>\n

See it from cover to cover here<\/a>.<\/p>\n

<\/p>\n

March 1: Yamato Association No. 2 doujinshi<\/h3>\n

The second issue of Yamato<\/em> ran 68 pages and contained a real treasure: the entire production script of Episode 1, curated to include all the design and animation art Yamato Association had collected from Academy studio.<\/p>\n

See it from cover to cover here<\/a>.<\/p>\n

<\/p>\n

March 25: Iscandar<\/em> Vol. 2 doujinshi<\/h3>\n

The second issue of Iscandar<\/em> was a tour de force of analysis on Series 1 with deep dives into everything from the mission calendar to the theory of warp technology. It also included what may likely be the only published account of the Yamato<\/em> panel that took place at Tokon 6 (August 1976).<\/p>\n

See it from cover to cover here<\/a>.<\/p>\n

<\/p>\n

April 1: Manga Shonen<\/em> May issue<\/h3>\n

This issue took another big step forward with an 8-page followup to the January article titled The Wonderful World of TV Anime, Part II: All About Space Battleship Yamato<\/em>. The opening blurb made it perfectly clear what motivated this move: “After the last anime feature, many passionate voices responded and asked for Yamato<\/em>! This appealing special feature is presented in response!”<\/p>\n

There were new comments from Nishizaki, but another magazine was about to blow past everything seen in these pages.<\/p>\n

See this article here<\/a>.<\/p>\n

<\/p>\n

April 18: OUT<\/em> magazine #2<\/h3>\n

When we look at all the publishing efforts between the end of the TV series and the premiere of the movie, none are more important than this one. OUT<\/em> began as a sort of eclectic subculture magazine with the mission of probing the edges of mainstream life. Teenagers who still liked anime after they were expected to grow out of it were fair game.<\/p>\n

The editor, an iconoclast known only as “Mr. K,” had made contact with the members of Yamato Association and invited them to produce a cover story for this issue. They gave him much more than he bargained for, cranking out 60 pages of content titled Yamato World<\/em>. This was pure gold to starving fans, and they bought up every issue of OUT<\/em> #2 as fast as it hit the newsstands.<\/p>\n

<\/p>\n

The cherry on top was the first known interview with Exec Producer Yoshinobu Nishizaki, whose every word must have been a revelation to the readers, especially when he said, “As for the future, a movie is planned for release this summer in both America and Japan, though the American version doesn\u2019t have as much of Captain Okita\u2019s life and death struggle in it. Toshio Masuda, the great master of Japanese cinema who made the domestic scenes in Tora Tora Tora<\/em>, gave all his energy to the editing. It will be about two hours long.”<\/p>\n

A release date was unknown at this point, since Nishizaki didn’t have any sort of distribution deal in place. He speculated that he might rent out a theater for special limited screenings if nothing else came to pass.<\/p>\n

Of course, there’s much more to the story of OUT<\/em> magazine. Read about how it happened and see all of the Yamato<\/em> content here<\/a>.<\/p>\n

<\/p>\n

May 1: Yamato Land<\/em> No. 1 doujinshi<\/h3>\n

Hot off their unexpected success with OUT<\/em> magazine, the leaders of Yamato Association revived their Yamato Land<\/em> newsletter to round up information on recent club activities and list all the latest product announcements. The highlight was a Black Tiger origami that you could build and fly.<\/p>\n

See the complete newsletter here<\/a>.<\/p>\n


\nProducer Yoshinobu Nishizaki, 1977<\/em><\/span><\/p>\n

Early May: The turning point<\/h3>\n

May 1977 was the month everything finally turned in Yamato<\/em>‘s favor. As we learned from the interview in OUT<\/em> magazine, Nishizaki’s plan for the movie was still quite modest. The film distribution system in Japan was very insular at the time, unfriendly to independent producers like him. Having given up on them, his last resort was to look for a single theater he could rent out for a week of limited screenings for fans. When he approached an entertainment company called Tokyu Recreation with this proposal, he finally got the reception he was hoping for.<\/p>\n

The Tokyu reps watched the movie in a private screening and – astonishingly – LIKED IT. They thought it would be just right for summer release and offered to book it into four Tokyo theaters. That may not sound like a lot, but it was much more than Nishizaki expected. <\/p>\n

This was the beginning of a success story like no other in Japanese cinema, and a much more detailed account can be read here<\/a><\/p>\n

Films don’t get very far without publicity, so Tokyu brought in an affiliate company, Major Enterprise, to handle the advertising. But the budget wasn’t going to be very big, so it was incumbent upon Nishizaki to do what he could on his own. His first move was to fly off to France…<\/p>\n

<\/p>\n

May 13-27: 30th Cannes Film Festival<\/h3>\n

Back in January, post-production was completed on the English version of the movie, officially titled Space Cruiser Yamato<\/em>. (That title became somewhat indelible as a result; the word “Cruiser” would remain attached to the saga in Japan all the way through 1988 when it officially reverted to “Battleship.”) Cannes is known as a place for films to compete for awards, but it also serves as a marketplace for distributors to screen movies for consideration. (See a record of the films seen in the 1977 festival here<\/a>.)<\/p>\n

<\/p>\n

Space Cruiser Yamato<\/em> was screened at the marketplace with this English-language flyer as an accompanying promotional piece. Deals were made with several different distributors in the United States, Mexico, Canada, England, and France. The timing couldn’t be better; now there was a big talking point for the coming publicity push in Japan.<\/p>\n

See a larger version of the flyer (with readable text) here<\/a>.<\/p>\n

<\/p>\n

May 25: Iscandar<\/em> Vol. 3 doujinshi<\/h3>\n

This 24-page issue kept the party going with a TV series encyclopedia, lots of mecha design art, another rare staff interview, fanfic, and more.<\/p>\n

See it from cover to cover here<\/a>.<\/p>\n

<\/p>\n

May 25: International incident<\/h3>\n

On the other side of the globe, an ambitious man had finally won his own epic struggle to get his visionary SF story onto the big screen. His name was NOT Yoshinobu Nishizaki, but the impact of his film quickly sent shock waves around the world that would give Yamato<\/em> an unexpected boost. Japan wouldn’t get Star Wars<\/em> until the summer of 1978, but the buzz about it was so unique and intriguing that it implied an SF boom was on the way. Whatever appeared next to bolster that signal was definitely going to be noticed.<\/p>\n

Luck and timing, as they say, is everything.<\/p>\n

<\/p>\n

June 1: Big Manga Book<\/em><\/h3>\n

This was a special volume published by Akita Shoten under the Playcomic<\/em> imprint, a plump 576-page “best of” collection for summer reading. It prominently featured a reprint of Leiji Matsumoto’s Yamato<\/em> bonus chapter, Eternal Story of Jura<\/em><\/a>. The rest of the lineup included some true heavy hitters, such as Cyborg 009, Submarine 707, Astro Boy<\/em>, and many more. As an interesting sign of growing prominence, the Yamato<\/em> chapter and the Astro Boy<\/em> chapter were the only ones printed in color.<\/p>\n

<\/p>\n

June 1: Neo Negal<\/em> #1 doujinshi<\/h3>\n

As described back in Vintage Report 2, the first known Yamato<\/em> doujinshi was published in February 1975. It was titled Negal<\/em> and created by the first known fan club; a group called, simply enough, the Space Battleship Yamato<\/em> Fan Club. Their series lasted nine issues, concluding in March 1976. But they surged back to life under the name Space Battleship Yamato<\/em> Fan Club II and relaunched the doujinshi under the revised title Neo Negal<\/em>.<\/p>\n

The club staff were among the lucky fans who found and visited Academy Studio during the production of Series 1, and the souvenirs they left with provided content for their publications. That continued with Neo Negal<\/em> 1, which reprinted story development materials and offered a handwritten account of Tokon 6 (August 1976).<\/p>\n

See this issue from cover to cover here<\/a>.<\/p>\n

<\/p>\n

June 18: OUT<\/em> magazine #4<\/h3>\n

After the smash success of issue 2, OUT<\/em>‘s sales dropped right back down with issue 3, prompting the editor to summon a second lightning strike. He quickly arranged for the Yamato Association members to stage a comeback, and they were happy to oblige. They didn’t have time for another mega-feature, but they pulled 9 pages together as a prelude to bigger things in issue 5, and repeated the fresh news of the movie premiere on August 6. The back cover (above right) noted that info on advance ticket sales could be found inside (on page 125).<\/p>\n

See all the issue 4 content here<\/a>.<\/p>\n


\nFoldout press kit, side A<\/em><\/p>\n

June: Publicity campaign begins<\/h3>\n

Nishizaki and his allies at Major Enterprise had a big job to do. In a single sweep, they had to (A) educate the media about anime, (B) explain what Yamato<\/em> was, and (C) convince them that the forthcoming movie (now scheduled to premiere on August 6) was going to be a big deal. This effort began with a press conference, which was unheard of for animated films.<\/p>\n


\nFoldout press kit, side B<\/em><\/p>\n

The first newspaper article had already appeared in Daily Sports<\/em> on June 4 and more newspapers picked up the story as momentum caught on (see a record below), but the rubber truly hit the road when media sources received the invitation shown below left. The text reads as follows:<\/p>\n

Space Battleship Yamato<\/em> Press Conference<\/span><\/h3>\n

Brief<\/span><\/p>\n

We are pleased to announce that Space Battleship Yamato<\/em>, distributed by our company, will be screened at a roadshow in the Tokyu Rex theater chain from August 6.<\/span><\/p>\n

<\/span><\/p>\n

The film became a topic of conversation when it was shown on TV (highest rating: 24.5%). In response to the demand of enthusiastic fans, the film has been completed as a new theatrical version after two years of work.<\/span><\/p>\n

Mr. Yoshinobu Nishizaki, the producer of the film and creator of Yamato<\/em>, will hold a press conference on the occasion of the film’s theatrical release as indicated at left. Director Toshio Masuda, Mr. Leiji Matsumoto, and Mr. Suzuo Horie of Tokyu Recreation will be in attendance.<\/span><\/p>\n

We will await you with an introduction to the work and a screening of the film. We hope you will be able to join us.<\/span><\/p>\n

June 1977
\nAcademy Corporation
\nDate and Time: Thursday, June 23, 1:00 p.m.
\nPlace: Grand Palace Hotel (2nd Floor Cherry Room)<\/span><\/p>\n

<\/p>\n

The first-ever press conference for an anime feature film took place on June 23 at the Grand Palace Hotel in Tokyo where Nishizaki served as an ambassador for both his own movie – which already had “international approval” – and an entire industry that was waiting to be taken seriously.<\/p>\n

However, engaging the media was just one component in the campaign. The other, hatched by Nishizaki on his own, would have an even greater impact…<\/p>\n

<\/p>\n

Crowdsourcing 1.0<\/h3>\n

The plan had been in the oven since the groundbreaking publication of OUT<\/em> magazine #2. One by one, phones started ringing in the homes of fan club leaders. They were no doubt stunned to hear Office Academy at the other end, inviting them to a personal meeting with Yoshinobu Nishizaki. (Talk about a call to remember!)<\/p>\n

One by one, they showed up to share with Nishizaki what they knew about Yamato<\/em> fandom (read one such account here<\/a> and another here). As the wheels started turning with Tokyu Recreation, the result of these talks emerged: a “guerilla marketing” press kit. In this case, the “guerillas” would be the fans. The mission was to boost advance ticket sales as much as possible.<\/p>\n

<\/p>\n

The kit consisted of one advance ticket and two copies of a mini-poster. The front of the poster was a new painting by the great Naoyuki Katoh of Studio Nue, who still produces Yamato<\/em> works as of this writing. The back touted the major talking points of the film and promoted two upcoming products: a new novelization and a soundtrack LP (keep reading).<\/p>\n

Both sides listed the four theaters that would show the film, promoting advance tickets for 900yen. One estimate is that 100,000 of these kits were mailed out to everyone who requested one, and all they had to do was put up their extra poster in public view. <\/p>\n

Another item in the kit was a promotional postcard and a list of media organizations to send it to. And finally, a phone list for radio stations to call up and request airplay of the Yamato<\/em> theme. All of this worked like a charm; as soon as the fans mobilized, advance ticket sales exploded.<\/p>\n

Read more about the campaign here<\/a>.<\/p>\n

<\/p>\n

July 1: Manga Shonen<\/em> August issue<\/h3>\n

The main attraction this time was a 4-page color featurette to promote the movie. There was already great anticipation in the fan community, but no one yet had a clue how much.<\/p>\n

<\/p>\n

<\/span><\/p>\n

<\/br><\/p>\n

Text in the blue box above:<\/em><\/p>\n

Fulfilling the hopes of men and all of humankind, Yamato<\/em> soars through the skies once again!! Fans can look forward to the long-awaited Space Battleship Yamato<\/em> feature film, to be shown at four theaters on August 6 in Tokyo. So this magazine releases a big present to readers in advance!!<\/span><\/p>\n

The Yamato<\/em> feature film was produced in response to enthusiastic requests from fans, a fascinating work no one can miss, which was introduced in the May issue of this magazine.<\/span><\/p>\n

Yamato<\/em> heads into space, backed by that famous song! Kodai, Okita, and Shima face trouble, fight, and find love in a man’s way of life!! It’s a solemn, splendid space drama made by a passionate, first-rate staff. In one important scene, Susumu Kodai, who was invited to Iscandar, rides on a band of light. It is a beauty unique to animation.<\/span><\/p>\n

Running time 2 hours, 8 minutes (tentative).<\/span><\/p>\n

Translator’s note:<\/em> The “band of light” reference was in regard to one of a handful of new scenes that had been animated for the end of the film. More info about them in the next report.<\/p>\n

<\/p>\n

July 1: Song and Drama EP<\/h3>\n

This was the first music release of 1977 to include new content, though it wasn’t actually musical. Nippon Columbia reprinted the opening and ending themes on one side, and filled the other with a drama track (the audio portion of a TV episode) titled Break through the Gamilas\u2019 Absolute Defense Line!<\/em><\/p>\n

<\/p>\n

It was the first of many “drama” recordings to come, giving fans a little more to hold onto until their next chance to see it on their screens.<\/p>\n

<\/p>\n

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\nYamato Association membership, 1977<\/em><\/span><\/p>\n

July 1: Yamato Association No. 3 doujinshi<\/h3>\n

Despite their workload on OUT<\/em> magazine, the gang really delivered with this issue; 92 pages of parodies, comic strips, production notes and tons of material on Episode 18 including production notes, the recording script, and model sheets. <\/p>\n

However, BECAUSE of that workload, this would be the last issue of Yamato<\/em>. A fourth was started with a focus on Gamilas, but was never completed. With so much else going on (not to mention real life), they were being pulled in different directions and finding fan activities difficult to prioritize. Other club projects would continue, but there were bigger fish to fry over the coming year, such as taking over OUT<\/em> magazine and helping to create a whole new world of anime journalism.<\/p>\n

See this issue from cover to cover here<\/a>.<\/p>\n

<\/p>\n

July 5: Kinejun<\/em> No. 714<\/h3>\n

On this day, Kinejun<\/em> became the first mainstream magazine to pick up the story. The title is a contraction of Kinema Junpo<\/em>, which translates to Cinema Bi-weekly<\/em>. Still in business today, it always delivers in-depth movie news from around the world. This issue offered a two-page summary of the film and a single-page commentary from none other than Leiji Matsumoto. He had already offered comments in newspaper articles, but it marked the first time since his 1976 Fantoche<\/em> interview that he spoke about Yamato<\/em> at length.<\/p>\n

Read the article and comments here<\/a>.<\/p>\n

<\/p>\n

July 18: OUT<\/em> magazine #5<\/h3>\n

Yamato World Part 2<\/em> filled 50 pages with the first-ever look at the origins of the TV series, interviews with director Noboru Ishiguro and singer Isao Sasaki, a 16-page parody manga, and a message from Yoshinobu Nishizaki. His “Producer’s message” would become a staple of forthcoming books and record albums, and this one certainly set the tone.<\/p>\n

“I\u2019m fortunate that others have accepted Space Battleship Yamato<\/em>, but I am still not satisfied. Releasing it into the world market was a test of whether or not the ability of the production staff would be measure up. I think it\u2019s a big problem when your sense of self is based on being accepted by others. But the fact that we could sell it on the international circuit tells us that it meets the global standard, and it should produce big profits.”<\/p>\n

<\/p>\n

It provided a fascinating glimpse of the man at a key moment, as everything was ascending toward the premiere. It was perhaps the first time since 1973 that he knew his dues were paid in full. Yamato<\/em> was going to reach its intended audience and he was aglow with positive energy, even going on record for the first time about a sequel.<\/p>\n

“What I am most anxious about at this time is how Yamato<\/em> will be accepted by boys and girls at many levels. Once I know this, I will dig deeper into the theme and think hard about where to take it next. On that basis, I want to make a great sequel.”<\/p>\n

Read all of the issue 5 content in English here<\/a>.<\/p>\n

<\/p>\n

July 18: Toei enters the fray<\/h3>\n

With things heating up and fan clubs forming all over the country (in response to the call for promotional help), Tokyu Recreation began to think the movie should have a chance to be seen outside Tokyo. For this, they called upon another affiliate, none other than Toei Pictures, which covered the entire country. At last, the mainstream film industry was listening. <\/p>\n

<\/p>\n

July 20: Kinejun<\/em> No. 715<\/h3>\n

Kinejun<\/em>‘s issue for the second half of the month didn’t yet have any substantial coverage, but it was definitely in the works. Instead, they described and summarized the movie in their bi-weekly roundup of what was playing in theaters. And they apparently weren’t too worried about spoilers…<\/p>\n

Space Battleship Yamato<\/em><\/span><\/h3>\n

Explanation:<\/em><\/p>\n

From a total of 26 episodes broadcast on TV from October 6, 1974, Toshio Masuda (of Human Revolution)<\/em> reconstructed and directed this film, focusing on the way of life of the men who set out on a journey with the future of humanity at stake. Yoshinobu Nishizaki (Wansa-kun)<\/em> serves as executive producer, planner, and original concept. Screenplay by Eiichi Yamamoto and Keisuke Fujikawa. <\/p>\n

(Vistavision, Eastman Color) <\/p>\n

Summary:<\/em><\/p>\n

It is the year 2199. The Earth, once praised by the Soviet cosmonaut Gagarin who said, “the Earth is blue,” is on the verge of extinction. Threatening to invade Earth, Gamilas rains planet bombs down upon us and the human race is forced to move underground. But even there, radioactive contamination is relentless, and the end of the human race is only a year away.<\/p>\n

In such a time, a message comes from the planet Iscandar, 148,000 light-years away in the universe. Iscandar has a radiation removal device, and they want us to come and get it. Based on the blueprints of a Wave-Motion Engine sent along with the message, the WWII battleship Yamato<\/em> is secretly rebuilt into a space battleship. The plan is to go to Iscandar.<\/p>\n

When Gamilas learns of this plan, Yamato<\/em> is forced to dodge their attacks and launches on a round-trip journey of 296,000 light years. During the warp navigation test between the moon and Mars, there are enemy attacks. Thanks to the efforts of Susumu Kodai and others, the test is a success. A missile base on the floating continent is smashed by the Wave-Motion Gun. Yamato<\/em> also wipes out the Gamilas base on Pluto. <\/p>\n

Dessler, leader of the planet Gamilas, directs General Domel to stop Yamato<\/em>‘s advance. In a decisive battle, Yamato<\/em> is able to defeat Domel, although the underside of the ship is heavily damaged.<\/p>\n

When Yamato<\/em> is just one step away from victory, Gamilas and Iscandar are revealed to be double planets. In order to reach Iscandar, Yamato<\/em> must pass through Gamilas. The post-war battle of Yamato<\/em> begins. Dessler’s plan is to lure Yamato<\/em> to the sulfuric acid sea of the planet Gamilas. Yamato<\/em> struggles, but under the order of Captain Okita, who is now collapsing from illness, the Wave-Motion Gun fires at a volcano. Magma covers the ground. Now, a planet perishes. Why couldn’t it coexist with Iscandar?<\/p>\n

Yamato<\/em> arrives at Iscandar and, in accordance with the will of the now-dead Starsha, loads the radiation removal device and hurries home via warp. Soon, Mother Earth appears in front of Yamato<\/em>. Amidst the joy of Kodai and others, Okita quietly breathes his last.<\/p>\n

<\/p>\n

<\/span><\/p>\n

July 20: Novelization Vol. 1:
\nYamato Launch Volume<\/em><\/h3>\n

Almost two and a half years had passed since the first novelization concluded, which meant the only version you could get was vastly different from the anime (read it for yourself here<\/a> to see how different). On this day, a straightforward adaptation finally appeared from the same publisher (Asahi Sonorama), a hardcover festooned with the largest collection of stills from the series (both in color and black & white) that had yet been released by anyone.<\/p>\n

Yoshinobu Nishizaki was credited as the author (with contributions from Leiji Matsumoto), but it’s equally possible that they were ghost-written under his name. Evidence one way or the other has yet to be discovered. It was the first of three volumes, with the other two to follow in August, and it took the story through Episode 10 of the TV series in 192 pages.<\/p>\n

The smaller paperback version (shown at right) came out simultaneously with the same content in 240 pages, but only a few pages of color stills.<\/p>\n

<\/br><\/br><\/p>\n

July 21: Newspaper article<\/h3>\n

The newspaper this piece appeared in is unknown, but it contained some unique insight into Yamato<\/em>‘s success in TV reruns. This was a vital component in the buildup to its forthcoming success in the cinema.<\/p>\n


\nPosted on Twitter by Kanaeyokosuka<\/a><\/em><\/span><\/p>\n

Summer vacation! Golden month of anime<\/span><\/h3>\n

Space Battleship Yamato<\/em> appears for the fourth time<\/span><\/h2>\n

Every time it reappears, the number of fans increases<\/span><\/h3>\n

Viewer ratings behind the scenes<\/em><\/span><\/p>\n

Public elementary schools in Tokyo will be on summer vacation starting tomorrow, the 21st. These children will be in the battle for TV ratings. From now through August, anime manga will be absolutely strong. [Translator’s note “anime manga” was a catchall term for anime broadcast in prime time, which was often based on manga.]
<\/p>\n

The designated time for anime is around 5~6 pm in the evening, but as soon as the vacation starts, the ratings for reruns shown during the daytime greatly increase.<\/p>\n

According to the creators of anime, “It’s no harm to the manga.” [prime time shows.] First of all, by the time the main broadcast ends, the cost\/profit balance has evened out. If a program is circulated to local stations, it will come back with a considerable profit. Then the program is rerun on the key stations, and a second round of visits to local stations is made. I have to laugh at this as a parent, because they are repeating the same thing over and over again.<\/p>\n

In addition, since child fans grow up so quickly, each generation takes over and produces the next fans. The content of the program is well publicized, so every time the program is rerun, the viewer rating goes up. <\/p>\n

Here are some examples:<\/p>\n

Space BattleshipYamato<\/em> (Japan TV)
\nMain broadcast in Oct. 1974: average 6%
\nJanuary 1976 rerun: average 13.8%
\nJuly 1977 rerun: average 16.7%<\/p>\n

The fourth rerun will start at 5:30 p.m. on July 21, and the space boom will surely add to the viewer ratings. This makes the people at the station laugh.<\/p>\n

We can’t be surprised after four rounds. TV Asahi’s Witch Sally<\/em> has already been rerun 15 times. Even though this popular cartoon was created 12 years ago, and even after being aired so many times, the ratings have always been high, around 20%, This means that it is a genuine “win-win” story.<\/p>\n

\"\"<\/p>\n

\"\"<\/span><\/p>\n

July 25: Drama album LP<\/h3>\n

This was the “big brother” of the EP released by Nippon Columbia at the start of July. It was officially referred to as a “soundtrack,” which probably led many to the false conclusion that it would be a music-only album. Instead, it was an audio mix of music, dialogue, and sound effects that condensed the story into just 47 minutes. A cassette was released simultaneously, shown at right. For those who just wanted the music, the wait was going to last a while longer. Regardless, the singularity of this LP made it a massive hit, catching mainstream attention and giving everyone a taste of what was to come.<\/p>\n

Both the novelization and this album had been advertised alongside movie promotion, and in the space of just five days, fans had two new ways to relive the story on demand. In just four more days, they would also have a way to watch it on TV again. <\/p>\n

\"\"
\nPromotional postcard from Columbia Records<\/em><\/p>\n

<\/br><\/br><\/p>\n

<\/p>\n

July 25: Manga no Hoshi<\/em> No. 1<\/h3>\n

This qualifies as a fanzine, but sits one level above doujinshis for the quality of its printing and content, published by “Nippon Manga Fan.” In 44 pages, it focused on the work of Leiji Matsumoto with a short interview, a handful of essays, and a reprint of his pivotal 1969 SF manga Daffin<\/em>, which was the first to use the term \u201cSpace Wave-Motion Theory.\u201d It ended with another trumpet blast for the Yamato<\/em> movie, now less than two weeks away.<\/p>\n


\nWeekly TV Programs<\/em> magazine, week of July 23-29<\/p>\n

July 29: TV rerun, Yomiuri Network<\/h3>\n

The writing was surely on the wall by now; ratings for previous reruns had blown well past 20% and visibility had never been higher. That made it the perfect moment for Yomiuri, the original broadcaster, to bring Yamato<\/em> back for a third time, airing five days a week through September 3. To the diehard fans, it must have felt like the ultimate validation. But it could not compare to what was coming on August 6.<\/p>\n

<\/p>\n

Newswatch: Headlines and highlights for June\/July<\/h3>\n

For the sake of posterity, all of the press and magazine coverage for the Yamato<\/em> movie was indexed in Office Academy’s Space Battleship Yamato Complete Records<\/em> books (commonly known as the “silver set”). This allows us to see how newspapers and magazines reacted to the emerging phenomenon, which must have seemed to come out of nowhere. Here are headlines and highlights from that index.<\/p>\n

(Translation note: “shimbun” means “newspaper.” The literal translation is shin\/new \u2022 bun\/hearsay)<\/p>\n

The eccentric Space Battleship Yamato<\/em> conquers movie theaters around the world. Pushed by an abnormal boom, it reappears at the movies.
\nHochi Shimbun, June 11<\/em><\/span><\/p>\n

All Yamato<\/em> fans in Japan! We will establish an office for a Yamato<\/em> fan club. Please tell us about your activities by letter or phone. (We are thinking of providing cels and other materials.)
\nSports Nippon, June 16<\/em><\/span><\/p>\n

The science fiction adventure action Space Battleship Yamato<\/em>, which depicts the exploits of young space warriors who stand firm when all mankind on earth is about to perish, will be made into a movie.
\nNikkan Sports, June 24<\/em><\/span><\/p>\n

Fan’s Request Fulfilled!
\nDaily Sports, June 24<\/em><\/span><\/p>\n

As a result of fan’s enthusiasm, Space Battleship Yamato<\/em> will be screened during the summer vacation.
\nAsahi Elementary School Shimbun \u2022 TV Topic, June 28<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em> is screened, attracting attention as to whether a SF boom would occur in Japan.
\nHochi Shimbun, June 28<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em> sound world broadcast on FM.
\nMainichi Shimbun, June 29<\/em><\/span><\/p>\n

<\/p>\n

Interest in SF and dreams of the young, the appeal of anime and BGM (theme music), characters that capture girls’ hearts; the combination of these elements has caused the Yamato<\/em> boom.
\nDaily Sports\/Movie Plaza, July 4<\/em><\/span><\/p>\n

Even after the TV broadcast, nearly 30 fan clubs are active nationwide, and the novels, manga publications, and theme song records have become hidden bestsellers.
\nSankei, July 8<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em> to be rerun on TV.
\nYomiuri Shimbun, July 8<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em> lives in the hearts of a wide generation.
\nYomiuri Shimbun, July 19<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em> is a hot topic.
\nSeikyo Shimbun, July 19<\/em><\/span><\/p>\n

Yamato<\/em> gives nostalgia to the wartime generation and alien romance to the young
\nMainichi Shimbun, July 19<\/em><\/span><\/p>\n

“Battleship Yamato<\/em>” has young people overheated.
\nYomiuri Shimbun, July 19<\/em><\/span><\/p>\n

SF anime film Space Battleship Yamato<\/em> to expand to Europe and the U.S.
\nSports Nippon, July 21<\/em><\/span><\/p>\n

The biggest hit of the summer.
\nNikkan Gendai, July 21<\/em><\/span><\/p>\n

Tragic giant ship, anime emerges.
\nTokyo Shimbun, July 22<\/em><\/span><\/p>\n

The Battleship Yamato<\/em> Meets the Market Divide between the U.S. and the Soviet Union.
\nNikkan Gendai\/Interesting Movies, Boring Movies, July 24<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em> makes tremendous progress, and the movie industry undergoes dramatic changes
\nDaily Sports, July 27<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em>, return of the “super mecha,” received by young people.
\nYukan Fuji, July 30<\/em><\/span><\/p>\n

TV re-runs and popularity explodes, rush to expand the movie
\nNikkan Sports, July 31<\/em><\/span><\/p>\n

Space Battleship Yamato<\/em> draws attention with love for humanity, theme of human drama, and “SBY” drew a lot of attention.
\nKomei Shinbun\/Movies, July 31<\/em><\/span><\/p>\n

The secret popularity of SF in midsummer is its fantastic ideas.
\nHochi Shimbun, July 31<\/em><\/span><\/p>\n

Powerful SF adventure action
\nMainichi Graph, July 31<\/em><\/span><\/p>\n

Do you know this!? “Space Battleship Yamato<\/em> will be an unforgettable work for me for the rest of my life,” says Leiji Matsumoto.
\nYoung Comic, July 31<\/em><\/span><\/p>\n

<\/br><\/p>\n

<\/p>\n

What’s Next<\/h3>\n

All the marbles, baby. ALL. THE. MARBLES. Click here<\/a> to continue.<\/p>\n

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