{"id":29917,"date":"2021-02-20T18:36:30","date_gmt":"2021-02-21T02:36:30","guid":{"rendered":"https:\/\/www.ourstarblazers.com\/vault\/?p=29917"},"modified":"2023-02-14T14:12:05","modified_gmt":"2023-02-14T22:12:05","slug":"522a","status":"publish","type":"post","link":"https:\/\/www.ourstarblazers.com\/vault\/522a\/","title":{"rendered":"Yamato 2202<\/em> Episode 21 commentary"},"content":{"rendered":"

\"2103icon\"<\/p>\n

Despite the efforts of the combined fleet, the Comet Empire is about to break through the final defense zone at Mars. While Yamanami is convinced that Yamato<\/em> is trapped in its gravity sphere, the AI issues the “G Plan” for the survival of humanity. Captain Saki Todo is forced to choose between the machine’s orders or rescuing Yamato<\/em>.<\/p>\n

<\/div>\n

<\/p>\n

<\/p>\n

Episode 21: Escape from a Nightmare<\/h3>\n

by Kathy Clarkson<\/span> and Anton Mei Brandt<\/span><\/em><\/p>\n

<\/p>\n

Height of summer. Butterflies flutter about in an open field. Lively trees and fauna surround it, cicadas cry in the distance. <\/p>\n

\u201cThey\u2019re beautiful, Mama!\u201d A child gleefully exclaims behind the scenes. Her mother responds, clearly feeling content: \u201cYes, and when you grow older, I wish for you to become a gentle person like these flowers.\u201d <\/p>\n

The girl assures her that she will. The seasons then change to indicate the passing of a year, from summer, to fall, to winter and then spring. Then the unmistakable howl of a Garmillas planet bomb begins to disturb the serenity, all colors bleeding to orange as it falls toward the open field. We fade to white.<\/p>\n

<\/p>\n

April 20th, 2193 AD.<\/em><\/p>\n

[AMB]: This was one of two shots drawn in 2202<\/em> by the incredibly talented Yamato<\/em> fan artist \u201cUmegrafix\u201d (Ryuji Umeno), whose warm coloring style is immediately recognizable<\/a>. His drawn work was sold as posters in theatres with Ark of the Stars<\/em> and most recently he drew a superb homage of this Star Wars<\/em> poster<\/a> – sold as a high quality painting limited to 1000 copies. (See it at his website here<\/a>.)<\/span><\/p>\n

Then there\u2019s the voice actors. The characters heard talking behind the scenes are (as we\u2019ll soon find out) a young Saki Todo and her mother Chiaki Todo. From what I can dig up, Ayahi Takagaki (voice of Saki) actually plays her younger self here, just like Koichi Yamadera did for Abelt Desler in most of Episode 15. But it gets better. Kazuko Sugiyama – the original voice of Akiko Todo, Heikuro Todo\u2019s granddaughter in Yamato III<\/em> – was specifically asked to voice a member of the Todo family almost 40 years later. Her gentle vulnerability in older age is succinctly heard, a prelude to sadness. You can read more about Ayahi Takagaki\u2019s experience voicing Saki for Chapter 6 here<\/a> where she briefly mentions what it was like to work with Sugiyama.<\/span><\/p>\n

And finally, there’s the references. Depicted in this scene is Earth’s last four seasons of peace, cut short before the almost decade long war with Garmillas. In Yamato III<\/em>, Akiko Todo earnestly wishes for the day to come when all four beautiful seasons can be peacefully observed on Earth again, a wish shared by her love interest Aihara. The prospective lovers first meet by pure coincidence in an airport, after stumbling upon a dead bird. Laying it to rest in the soil outside, they adorn its grave with a white chrysanthemum flower. The same flower we see growing here. The pair would later go on to carry chrysanthemums as presage flowers in their respective notebooks, to remind themselves of their bond and shared desire. How does this relate to Saki’s mother in 2202<\/em>? And why chrysanthemum flowers?<\/span> <\/p>\n

The chrysanthemum is generally seen as a symbol of loyalty and devoted love; an expression of sympathy. In Japan, white ones represent purity, grief and truth, often seen at funerals. The yellow part symbolises the sun and the light (immortality). Saki’s mother has inherited these character traits from her original counterpart, conveyed through her fragility. In the original story, Akiko’s idealistic appeals were meant to inspire its real time audience. Almost 40 real life years have passed since then, yet little has changed. This is why she takes her own life in the next scene. This is why those chrysanthemums are present, to remind older audience members that their generation’s wishes will wither away, if neglected. Or perhaps the eradication of this flower field is meant to evoke thoughts of idealism’s end, in the face of a new war? Where complacency in peace time gives birth to new tragedies? It’s left open.<\/span> <\/p>\n

<\/p>\n

Against the classic image of shattering earth, Chiaki apologizes to her daughter. We then see young Saki\u2019s small hand grasping that of her mother\u2019s, set against an incandescent backdrop. Chiaki slips away. \u201cThis world is too cruel. I just can\u2019t\u2026\u201d <\/p>\n

Standing atop the steel beams of a tall building, she lets herself fall forward, down into the abyss. \u201cForgive me\u2026\u201d <\/p>\n

A heavy sound flings us back to the present where Captain Saki Todo (aboard Ginga<\/em>) is looking at an old digitally-archived family photo of herself, Chiaki and Heikuro – her father. She laments the past. \u201cMy mother was gentle and fragile. If gentleness and humanity can kill people, I\u2019d rather abandon it\u2026\u201d Determination overtakes her gaze as Ginga<\/em> warps from Saturn toward the newly-established Mars frontline. <\/p>\n

<\/p>\n

[AMB]: Most of you know this already, but the shot of shattering earth is an homage to the classic scene (animated by Toyoo Ashida) in the first episode of the original Yamato<\/em>, a shot we previously saw recreated back in 2199<\/em>. We\u2019re also presented with a specific date for the invasion: April 20th, 2193 AD. Shortly after the initial attack, it seems like the Todo family was granted the privilege of being shuffled into the underground cities. This must have greatly weighed on Chiaki\u2019s mind, how they were allowed to be isolated from the suffering of commoners. So she took her own life, unwilling to live trapped underground surrounded by despair.<\/span><\/p>\n

This was originally going to end\u2026 a lot bloodier, with Saki coming home from school to find her mother\u2019s corpse in the bathtub. This was changed to make it less grim. Harutoshi Fukui mentioned this in a 2019 interview<\/a>:<\/span><\/p>\n

“As for the ‘discards,’ I mentioned the suicide of Saki\u2019s mother earlier. She was in the bath and roses spread out from her wrist\u2026that was it. There was an image of Saki as a junior high student, frozen as she looked at that. There was a scene where Saki\u2019s father tried to take her out of the bathroom and shield her by saying, ‘Mother is comfortable now, so let her be.’ As I try to talk about it now, turning it into an image takes everything away from it. As talk progressed, it was overturned.\u201d<\/span><\/p>\n

[KC]: They are going pretty heavy-handed with the exploration of humanity on the ship, which may be humanity\u2019s last hope.<\/span><\/p>\n

[AMB]: Humanity\u2019s last hope… but in what capacity? Saki said that Ginga<\/em> has inherited Yamato<\/em>\u2019s spirit, but that\u2019s beginning to look less likely. Just like the audience, Saki – as a younger fan – seems to cling desperately to Yamato<\/em>\u2019s image to protect her own fragile self. At the same time, she rejects it, choosing to abandon idealism for the sake of survival. She doesn\u2019t want to end up like her mother, who she loved the most, but is nonetheless guided by her love.<\/span><\/p>\n

This scene is a parallel to when her father looked at the framed physical copy he had of the same photo two episodes ago, showing us that while two different generations engage with technology in markedly different ways, they still care about the same fundamental things. Like family. Though there is a sense of disconnect on Saki\u2019s part, seeing as she can\u2019t physically touch her copy of the photo.<\/span><\/p>\n

On yet another note, this scene takes place immediately after the White Comet warps to Jupiter last episode.<\/span><\/p>\n

<\/p>\n

At the UNCF Cosmo Navy Command Center on Earth, a grim and urgent report from an unknown XO reaches commanders Heikuro Todo and Kotetsu Serizawa: The White Comet has reached the final defense line at Mars with a fleet of over 20,000 ships and counting, maintaining its aggressive pace from last episode. Also, the mass-produced BBB-squadron of upgraded Andromeda<\/em> variants has successfully managed to short-warp inside the comet\u2019s interior, but all contact is lost. Serizawa remains unperturbed, his arms crossed. \u201cIt\u2019s not like they have infinite war potential. If we use the WMG fleet to reduce their numbers, we have a chance at victory.\u201d <\/p>\n

[AMB]: Let me just insert a roadmap of the UNCF’s moves in this chapter. Following the disastrous Battle of Saturn, Captain Yamanami ordered his fleets to retreat, with more ships from Earth and Garmillas (commanded by Ginga<\/em>) creating a new defensive line at Jupiter. Meanwhile, Yamanami manages to return Andromeda<\/em> to the Time Fault for repairs while dozens of mass-produced autonomous BBB-class Andromeda<\/em> ships are sent to suicide-bomb the White Comet\u2019s inner layer. While they were on their way, the defensive line at Jupiter was broken. Zordar breaks the deadlock with a barrage of Eaters, destroying the Garmillas anti-warp shields, then warps to Mars. The BBB-class ships have since managed to infiltrate the comet, their success rate (as we\u2019ll see) being abysmal due to the lack of a human commander.<\/span><\/p>\n

<\/span><\/p>\n

[KC]: No problem that can\u2019t be solved with more ordnance, eh Serizawa? Well somebody has to take that position on this show.<\/span><\/p>\n

[AMB]: \u201cInfinite war potential\u201d can only mean one thing after all; the Time Fault. In times of war, overestimations of one’s own abilities and tech can often lead to disappointing and disastrous results. Then again, if the Time Fault investment falls short, Earth will have to be saved by Garmillas. So\u2026 the political situation remains on a razor\u2019s edge.<\/span><\/p>\n

Serizawa is starting to remind me a lot of contentious historical military figures such as George S. Patton and Winston Churchill. Victory above all else, consequences be damned. Speaking of the war, 20,000 ships on the Gatlantis side may seem like a small number following the Battle of Saturn, but it\u2019s an impressively large figure to maintain once you factor in the losses from both sides! While Earth has time on their side, Gatlantis has organic battleship farms.<\/span><\/p>\n

Todo, on the other hand, can\u2019t stay seated in this worrisome situation, anxiously reaching over his desk to check for status updates on the big screen. \u201cAny update on Yamato<\/em>\u2026?\u201d The answer? No. Yamanami\u2019s fleet (which saved most of Yamato<\/em>\u2019s crew) delivered a report shortly after returning to the Time Fault for repairs, stating that there\u2019s been no additional information since Yamato<\/em> fell into the White Comet\u2019s interior. After reporting this, the lower staff officer humbly expresses his condolences. <\/p>\n

[AMB]: Todo\u2019s had quite an understated character arc this series, going from quietly appeasing the military\u2019s decision-making to downright wishing for Yamato<\/em> to turn the tide. As we saw in Episode 19, he knows what fate awaits his daughter if the WMG fleet fails; her body becomes a breeding ground for humanity. That’s is a realistic conclusion to this war, which he figures only Yamato<\/em> could help overturn. Yamato<\/em>\u2019s adherence to allowing human factors to overrule chance, projections and odds is severely needed at this juncture.<\/span><\/p>\n

<\/p>\n

Back on Zemulia, we return to Yamato<\/em>\u2019s crew interrogating the two child-like Zemulian storyteller A.I.\u2019s inhabiting Analyzer. Present inside Sanada\u2019s lab are Nagakura, Saito, Kodai, Keyman and Hijikata. Since we last checked in, the children have informed the crew that an anti-Gatlantean failsafe system exists.<\/p>\n

\u201cSay what?!\u201d shouts Saito, prompting a response from Keyman. \u201cIf what it says is true, the Zemulians must have made a safety device to permanently shut down the Gatlanteans.\u201d Saito is shocked at this revelation, but Kodai remains downcast. \u201cAnswer me,” Klaus presses. \u201cI brought you here to know this.\u201d But they tell him that it\u2019s classified to outsiders (non-Zemulians). <\/p>\n

[AMB]: While Saito\u2019s shock could be interpreted as being Zordar\u2019s, I don\u2019t think it is. We still don\u2019t know if Zordar\u2019s in the know on this, but realizing (on a rewatch) that the \u201csafety device\u201d they\u2019re talking about is Zordar\u2019s throne… this issue resolved itself. Saito is just being Saito. Kodai is still incredibly depressed since last episode, and the revelation of a mass-genocide weapon capable of euthanising the enemy doesn\u2019t seem to raise his spirits.<\/span><\/p>\n

<\/p>\n

Enter a trio of ladies: Touko, Yuki and Akira Yamamoto. With Akira pointing a gun at her back, the Sabera clone (Touko) confronts the children. <\/p>\n

\u201cAnswer the question. As the last Zemulian, I demand the answer.\u201d Zordar\u2019s ominous eyes briefly flash open at this, his gaze superimposed over Touko\u2019s as the storytellers relent. \u201cIt sings the song of destruction. It\u2019s a yoke, and the most significant key\u2026 for controlling Gatlantis.\u201d Touko\u2019s face twists in agony. <\/p>\n

\u201cIts name is Golem.\u201d Kodai quietly repeats the name to himself as Saito\u2019s gaze remains transfixed on Analyzer. <\/p>\n

[AMB]: Even if Touko seems to have had a change of heart, Akira still has a gun trained on her. Keeping in mind the events of Episode 12 and her previous vile behavior, it\u2019s understandable. Speaking of which, her change since then likewise makes sense. She doesn\u2019t want to support Zordar\u2019s attempt at universal mass-suicide, a deeply upsetting thought.<\/span><\/p>\n

Now, what\u2019s a yoke? In this context it\u2019s basically a metaphorical chain that binds the Gatlanteans, intricately tied to their existence. A Golem is an emotionless giant, a clay figure or automaton brought to life by magic. That\u2019s essentially what the Gatlanteans were at their core, the Zordar types later granted the fruit of wisdom. The Golem system reverts the Gatlanteans back to their allegorical clay doll forms, bringing them death.<\/span><\/p>\n

<\/p>\n

[KC]: Never thought I would be fist-pumping for Sabera in any iteration, but here we are.<\/span><\/p>\n

[AMB]: In spite of being a clone of \u201cthe witch,” Touko still has access by virtue of her Zemulian genetics to some extent. Unsurprisingly, Golem horrifies her. It\u2019s still there all these centuries later.<\/span><\/p>\n

The children continue: \u201cThe Zemulians built it long ago. Once activated, it will bring death to all artificial humans. Zordar swiftly seized it when his revolt began\u2026 but he couldn\u2019t destroy it.\u201d Hijikata seems to reflect on every word. \u201cAs soon as Golem is damaged, it begins to sing\u2026 the song of destruction which will kill man-made cells\u2026 that echoes throughout the universe.\u201d Klaus jumps at this with immediate urgency, shouting at the storytellers to confirm if Golem still exists. \u201cIf it does, then where is it now?!\u201d In response, Analyzer shuts down bit by bit. \u201cThey figured us out, huh\u2026\u201d <\/p>\n

Hijikata hears Keyman\u2019s bitter contention, observing the discord in the room. \u201cWe lost the link at this time?!,” says Nagakura, to which Saito responds, \u201cWe still don\u2019t know the most important part!\u201d But Touko does.<\/p>\n

<\/p>\n

[AMB]: Golem kills all artificial humans. Does that include just the Gatlanteans, or all artificial humans in the universe? Or perhaps the Gatlanteans are the only fully-realized ones? Seeing as Zordar doesn\u2019t die from its activation in Episode 24, we can presume that it\u2019s the former. The Type Zordar clones evolved past the original targeted specifications for Gatlanteans.<\/span><\/p>\n

Furthermore, if we keep in mind Hijikata\u2019s agreement with Kodai on talking to Zordar over killing him, his reaction here is more grim. He\u2019s realized that it might be more favorable to genocide the Gatlantean race, but won\u2019t say it yet for Kodai\u2019s sake, since he trusts the boy\u2019s judgement. And I do wonder; how did Zordar seize Golem? It was of the utmost tactical importance, and surely an adventure worthy of an entire episode. It would severely damage the pacing and intrigue, however, since it’s a question we don\u2019t need answered.<\/span><\/p>\n

Katsuragi steps forward as she holds back the tears forming in her eyes. \u201cGolem\u2026,” she gazes upward. \u201c… is in the hands of the Great Emperor.\u201d <\/p>\n

<\/p>\n

We swiftly cut to a wide perspective of Zordar\u2019s throne as Gairen cautiously remarks to Zordar that Yamato<\/em>\u2019s crew now knows “too much.” Zordar responds: \u201cWe have to sacrifice a planet to seize Earth anyway.\u201d he takes a moment to process what comes next, eyes shut. \u201cDestroy Zemulia.\u201d The screeching noise of a Legionnaire Cannon booting up inside the White Comet invades his mind. \u201cAre you leading me into this, Teresa?\u201d And the cannon fires point blank at Zemulia, marked by the White Comet theme.<\/p>\n

[AMB]: Then we have the A.I. We are made to believe Zordar cut the link between them and Analyzer, but I think they chose to shut down themselves. The storytellers might have realized that Zordar was listening, choosing not to divulge pertinent information to him. Little do they know that he currently holds Golem, using it as his throne. That way, he ensures that it can\u2019t be touched by anyone but himself, safeguarding his final solution.<\/span><\/p>\n

<\/p>\n

This also has a twist to it, where we are made to believe that he\u2019s guarding it purely for defensive purposes (since it can\u2019t be harmed or destroyed without negative consequences), but he\u2019s also keeping it to ensure he gets to pull the plug on his own race whenever necessary. For keen viewers, the throne reveal is hinted at by Touko\u2019s body language when she looks back up at Zordar. She\u2019s seeing the throne.<\/span><\/p>\n

[KC]: It’s like he’s on a corrupted version of the hero\u2019s journey.<\/span><\/p>\n

[AMB]: You\u2019re absolutely right. And the greatest antagonists are those who choose to follow the paths they believe in – just like the hero – but without regard to the necessary sacrifices. Knowing this, his corruption is lent more weight. On another note, we now have confirmation that Gatlantis only has space for five planets, making the new genetic genepool Gatlantis has to work with limited to five races.<\/span><\/p>\n

This would explain why \u2018now\u2019 of all times was chosen to invade Earth. Earth piqued his interest, so his aim was always to bring it into his fold; a new spin on Farewell to Yamato<\/em>\u2019s Zordar. In spite of only having second-hand memories of Zemulia, he seems deeply shaken at having to destroy it. It\u2019s quite literally haunting his mind, via the sound of the Legionnaire Cannon. And lastly, Teresa\u2019s guidance; any idea what Zordar\u2019s talking about here, Kathy?<\/span><\/p>\n

<\/p>\n

[KC]: Space opera is chock full of mysterious, cosmic goddess figures. Perhaps none more so than Space Battleship Yamato<\/em> itself. Abelt Dessler may have been a bit flippant when he visited Teresa because he was sulking, but the Garmillas and the Earthlings now, to an extent, have started to view Teresa as a powerful, guiding force in the universe. I would not be surprised to learn that Zordar\u2019s musings are his own speculation or outright belief that this is all happening according to Teresa\u2019s design.<\/span><\/p>\n

[AMB]: I\u2019m of the same belief. While there have been hints that there\u2019s some special connection between Teresa, the Ark of Destruction and ancient Akerius, we have little reason to believe that Zordar\u2019s conviction here is rooted in anything but fear of inevitability. He himself believes mankind\u2019s love will inevitably lead to ruin, meaning he\u2019s in a battle against fate itself. Zordar could also be remarking on how Teresa\u2019s guidance keeps leading to misery of various kinds: reawakening Touko and Yuki\u2019s memories, Yamato<\/em>‘s crash landing, and deciding to destroy his homeworld. A man who feels abandoned by the higher powers, he chooses to pave his own road to the future without them.<\/span><\/p>\n

A small but revelatory note: Recently I rewatched the entirety of the Evangelion<\/em> franchise. Throughout the experience, I kept seeing points where 2202<\/em> made obvious references and allusions that previously went over my head. For example, Gairen. As mentioned prior, he\u2019s voiced by veteran actor Hidekatsu Shibata. What I\u2019d completely forgotten is that he also voiced the mysterious and enigmatic Chairman Keel from Evangelion<\/em>, a humanoid ancient being wearing a strange visor-like headgear, privy to more information than anyone else in the show. Just like Gairen. It blew my mind, to say the least.<\/span><\/p>\n

<\/p>\n

Massive shock waves follow the blast, flames spreading across the entire planet. Yamato<\/em>\u2019s bridge crew are caught completely unaware by what Miki Saijou refers to as a planet-wide tectonic shift. In the face of this, Hijikata orders Yamato<\/em> to prepare for launch. We then slowly transition from the ongoing destruction of Zemulia through three different layers of the White Comet\u2019s fog. <\/p>\n

In the first layer, we see a large fleet of Karaklum ships being deployed. In the second layer, we see the shattered remains of some BBB-class Andromeda<\/em> ships. In the third, we see the comet\u2019s swirling nucleus, its outer layer as it looms over Mars. And from that image, we cut to UNCF HQ witnessing the white comet\u2019s advance.<\/p>\n

<\/p>\n

[AMB]: The information density of this show is impressive and leaves a lot to write about. First off, this is the first time we hear Naoki Kusumi replacing Ishizuka Unshou as Hijikata. As mentioned previously, Mr. Unshou unfortunately passed away midway through production on this chapter, but Mr. Kusumi portrays the character admirably in his absence, both actors having successfully preserved the original character\u2019s brooding nature.<\/span><\/p>\n

Secondly, we have an answer to what happened to the BBB-class Andromeda<\/em>s deployed last episode (they\u2019re decimated within the white comet\u2019s second layer). Some absolutely stunning cinematography shows us how all three intricate layers of the White Comet\u2019s fog work – with each obfuscating the next – and we even get a visual reference to water on Mars in the final shot. The size and distance of space in this long transition is so well put together, it continually impresses me on repeat viewings. Speaking of conveying distance; no, the White Comet is not about to swallow Mars. It\u2019s just THAT BIG even from behind Mars. The horrifying might of Gatlantis.<\/span><\/p>\n

<\/p>\n

Commander-in-Chief Heikuro Todo witnesses these developments with dread. But his executive officer Serizawa is different. \u201cWhy don\u2019t you attack already?\u201d Hearing this causes Todo\u2019s complexion to change, forming an ambiguous expression. After Serizawa finishes reading a report handed to him by one of Garmillas representatives, he rises to give the departing Earth Navy their final orders. As he speaks, upgraded dreadnaughts, mass-produced Andromeda<\/em>s and Earth\/Garmillas hybrids like the L\u2019andromed\u00e9<\/em> depart from the Time Fault factory against a blood-red sunset. A father and son witness their departure from a nearby bay.<\/p>\n

[AMB]: For Todo, this moment is both completely unexpected but also a long time coming. He had his worries about Serizawa and his intentions throughout all of 2202<\/em>, trying his best to argue against the sound reasoning of his military mind. The WMG fleet, the Time Fault\u2026 tools of immense power liable to be misused have always been for self-defense in Serizawa\u2019s eyes, not military imperialism.<\/span><\/p>\n

<\/p>\n

While distrusting Garmillas and expanding the military may seem like attempts at a universal power grab, it was all for moments like these. And his final orders are so antithetical to what Todo and his G-plan project represent; an appeal to survival. Next time we see Todo, he\u2019ll have shaken off all his worries, working as a unit with Serizawa. That said, ship designs! Some of these became fan favorites, their unique design a sight to behold! However, these were actually made on the spot by the CG team, Studio Sublimation<\/a>.<\/span><\/p>\n

<\/p>\n

Learn more about these ships here<\/a><\/p>\n

The order (actually a speech) goes: \u201cOrders from Defense HQ to all fleets! Hold out no matter what. Maintain the defense line. Holding for one day means we can send reinforcements. The size doubles in two days, and it\u2019ll be even greater in three days. As long as we have the Time Fault, our war potential is unlimited. Don\u2019t be scared, fight! For Earth, and for the future of our children. We must not allow our civilization, or the human species, to go extinct. Survive. Regardless of the cost, no matter how bad things get!\u201d<\/p>\n

[AMB]: Survival. That\u2019s all this was about. Following the disastrous events of 2193, where an unwinnable war began due to misunderstandings, Serizawa now has only one goal: To ensure the survival of the human species, no matter what. But even then he\u2019s not throwing lives away like they\u2019re pawns – he\u2019s telling them to live no matter what. And that means relying on the Time Fault.<\/span><\/p>\n

<\/p>\n

[KC]: A practical solution, but a gruesome one. Will those countless ships they throw at the problem be manned? And what if they don\u2019t have human crews? Abelt Dessler overextended his empire with fleets of androids. How did that work out for him?<\/span><\/p>\n

[AMB]: These men and women who are sent out could be the last human resources the military has to offer, their efforts and sacrifices instrumental to realizing the Time Fault A.I.\u2019s survival plan without having to resort to the Ginga<\/em>\u2019s G-Plan. And that\u2019s a solid take, though I\u2019d like to add that Abelt chose to focus effortlessly on military expansionism – in order to find a new homeworld – over defending his borders, since he never cared about his conquered territories. Earth\u2019s goal in this war, as it has been since the end of the last great war, is to survive. And that means a war of attrition rather than conquest. It\u2019s the complete opposite of what we were made to believe would be the UNCF\u2019s motivation this time around, and that nuance is sorely appreciated.<\/span><\/p>\n

<\/p>\n

We are reintroduced to Captain Yamanami, suited up in a heavy space suit aboard the newly-refitted Andromeda Kai<\/em>, henceforth referred to as ZZZ-class. It\u2019s a quiet, empty bridge. \u201cA.I. operated autonomous control\u2026\u201d he beamoans. \u201cI\u2019m the only crewman, huh?\u201d <\/p>\n

His gaze shifts down to see a small photo of himself and his friends. From left to right are: Juzo Okita (deceased former Captain of Yamato<\/em>), Shuntaro Yasuda (deceased Captain of Apollo Norm<\/em>), Yamanami, Tetsutaro Ozaki (Commander of the defense fleet at Saturn\u2019s second moon, Enceladus) and Ryu Hijikata (presumed-dead Captain of Yamato<\/em>). He smacks his lips and sighs. \u201cIt\u2019s sad\u2026 don\u2019t you think so too, Andromeda<\/em>?\u201d We cut to outside the ship as Yamanami looks up, his smile gone. The refurbished Andromeda<\/em> now sports a fresh paint job: Yamato<\/em> colors. This is now Yamato<\/em>‘s stand-in.<\/p>\n

<\/p>\n

[AMB]: When Yamanami ponders the current state of things, a sly smile covers his mug, though its sincerity is questionable against Masashi Ebara\u2019s pained vocal delivery. The photo of his friends is the last piece of human culture aboard the ship, himself being the last human at all. He\u2019s essentially commanding a suicide mission to improve the success rate of the first BBB-class attack. And even if his presence is seen as necessary, he\u2019s still at the whims of another Black Analyzer A.I., open to sacrificing him for the sake of long-term strategies. I do think it\u2019s sweet that he\u2019s given his Andromeda<\/em> some animism though, talking to it like a middle-aged man to his car.<\/span><\/p>\n

<\/p>\n

Meanwhile, Ambassador Burrel\u2019s Garmillas defense fleet has arrived at the Mars sector, furiously engaged in close-quarters combat against Gatlantis. Fomto Berger leads his four CCC-class Andromeda<\/em> variants – with accompanying Dolcia and Galunt bombers as well as Kelkapia-class cruisers – against a wall of three Medalusa-class ships being escorted by Lascaux-class assault cruisers, taking them down in quick succession. Fomto has this fact reported to him as he urges his soldiers to keep pushing. \u201cWe\u2019re just getting started!\u201d Then, from within the swirling fog of the White Comet\u2019s outermost layer, reemerges Admiral Baruze\u2019s Apocalix-class carrier. He orders the ship to rotate its catapult and launch a squadron of Deathvatators! <\/p>\n

[AMB]: A moment of pure visual splendor, completely gimped for anyone who hasn’t yet had the pleasure of seeing Ark of the Stars<\/em>. The thrilling Gatlantis theme, Berger making use of the combat techniques he learned against the Medalusa in Ark<\/em>, the Dolcia and Galunt bombers\u2026 what a marvel!<\/span><\/p>\n

<\/p>\n

[KC]: It\u2019s just so damned cool to have Garmillas on Earth\u2019s side, especially this one. Berger is such a great character. If we haven\u2019t referenced it enough and you still haven\u2019t seen it, please get your hands on Ark of the Stars<\/em>, A.K.A. Odyssey of the Celestial Ark.<\/em> I don\u2019t believe that there was an American import, but the Japanese edition is subbed, so watching with friends might be a lovely post-pandemic celebratory get-together.<\/span><\/p>\n

[AMB]: The subtitles on the Japanese edition have a multitude of issues, but it’s still worth getting. There\u2019s even references being made here to the visual CG direction of that movie, with fast sweeping camera movements that take you straight into the action! Some argue that Ark<\/em>\u2019s usage of CG and action sequences was the series\u2019 peak, and they\u2019re not wrong! Until now, that is. Which brings me to the Medalusa…<\/span> <\/p>\n

<\/p>\n

Ever since 2202<\/em> began, some fans have been clamoring for a more extensive look at the ship, a fan favorite design that packs some major heat! (Pun intended). It was Baruze\u2019s flagship in Yamato 2<\/em>, becoming a one-off wonder in the Ark<\/em> movie. And it\u2019s really cool! But when you factor in that the Medalusa was outdated the moment Sanada figured out how to track and predict its teleportation cannon\u2026 we can see why most of these ships were converted into makeshift tanks or glorified cannons. They\u2019re large, bulky, impractical and slow. Their conversion into tanks makes sense and I\u2019ll defend that to my grave.<\/span><\/p>\n

<\/p>\n

Countless Deathvatators are launched, aiming to attack Ambassador Burrel\u2019s Zoeleguut<\/em>, along with its 10 anti-warp shields. It\u2019s heavily protected by dozens of Kelkapia-class cruisers while receiving fire support from a blockade of ships formed by the Aldebaran<\/em> – helmed by Captain Kozo Tani – and his accompanying dreadnought escorts. The Deathvatators’ advance is reported to the Captain as \u201can attack from multiple ships coming from the massive enemy carrier.” <\/p>\n

\u201cPrepare to fire rapid torpedoes and cluster missiles, followed by a barrage of graviton spread shots!\u201d The attack succeeds at obliterating a few dozen of the Deathvatators, but a larger number manages to dodge the incoming beams and dive toward Burrel.<\/p>\n

<\/p>\n

[AMB]: References done right. Back in Farewell<\/em>, there were no Eater ships, only Deathvatators. Originally, there was only one Andromeda<\/em> as well, not commanded by Hijikata. As discussed before, Baruze didn\u2019t command a Medalusa either, but rather the double-hulled carrier. The original battle of Saturn was a confrontation between Baruze\u2019s fleet and Earth\u2019s only Andromeda<\/em>, commandeered by an unnamed Captain who looked a lot like Captain Kozo Tani. He’s even voiced by Masaru Ikeda, an actor who provided voices for both Yamato 2<\/em> and Yamato III<\/em>.<\/span><\/p>\n

The original Baruze unleashed hundreds of deathvatators, most being blown up by the EDF navy before being able to release their payload. But those that did survive managed to do major damage. This piece of history is repeating, though it\u2019s between reboot Baruze and the commander of Aldebaran<\/em>, one of the five from the first batch. Even the Gatlantis theme is on point!<\/span><\/p>\n

<\/p>\n

Captain Tani repositions his fire support fleet to protect the anti-warp shields, sacrificing six of his dreadnoughts. Burrel can\u2019t decide whether he\u2019s impressed or annoyed once Tani calls him. \u201cWe\u2019ll hold this place. Break apart the shield and withdraw to the other side of Mars.\u201d With apprehension, Burrel responds: \u201cNo, for the honor of Garmillas, we can\u2019t\u2026\u201d but Tani cuts him off with a strained expression. \u201cAnother fleet is coming, directly from Earth.\u201d <\/p>\n

Hearing of this surprising turn of events, Burrel ceases arguing and turns his ship to leave once the shields have been removed. Behind him, his and Tani\u2019s soldiers keep up the good fight in a united front against an endless horizon of Gatlantean battleships, spearheaded by Baruze’s Apocalix.<\/em><\/p>\n

<\/p>\n

[AMB]: From the unsteady alliance between Kodai and Berger in Ark<\/em> to Episode 1\u2019s shaky front against Gatlantis, to Earthlings giving their lives to protect their Garmillas allies here\u2026 their camaraderie has grown so far, surely spurred by the ongoing conflict. Lerelei would be proud. Burrel even lets go of his own national pride for a moment, allowing himself to retreat. This was completely unheard of in the Garmillas military of 2199<\/em>, as fans surely remember. \u201cVictory, and if not victory, then death.\u201d There may not be a word for retreat in the Garmillan language, but Burrel is not needed on this side of Mars.<\/span><\/p>\n

[KC]: Also, I feel like he was picking up on the fact that it was Yamato<\/em> that was coming, and that\u2019s the only reason why he wasn\u2019t more stubborn about it. He has a duty to the military, yes, but also a vested interest in their mission.<\/span><\/p>\n

[AMB]: I\u2019d also like to add how valiantly Baruze\u2019s fighting. He\u2019s right on the front lines, pushing his enemy back. And as I mentioned back in Episode 17, the fact that Apocalix<\/em> is still just referred to as \u201cthat large ship\u201d does wonders to convey the fear these soldiers feel toward this new enemy. This is also Baruze\u2019s way of making up for his failure at Saturn.<\/span> <\/p>\n

<\/p>\n

Two dozen BBB-class Andromeda<\/em> ships – supported by Dreadnoughts to increase their propulsion – proceed to warp inside the White Comet\u2019s innermost layer, above the Ark of Destruction. They\u2019re led by Yamanami and his Andromeda Kai<\/em>, operated by its very own black Analyzer. Standing in their way is a force of Kalaklums at least double their own fleet size, turning to intercept. Very few perish before the WMGs combine to attack the Ark\u2019s head, though met with two red rings of absolute protection once again. These rings absorb the damage taken from the WMGs, causing the surrounding space to crackle like a storm. <\/p>\n

[AMB]: As has become customary, the continuously-perfected CG usage keeps getting better and better, the visual language of the show flowing seamlessly together with the music, sound design and voice acting. Time of Fate<\/em>, one of Akira Miyagawa\u2019s new and original tunes, makes a triumphant return, evoking the image of dreadnaughts hiding in the rings of Saturn back in Episode 17. Mankind isn\u2019t beaten yet!<\/span><\/p>\n

<\/p>\n

Curiously, we once again see those red rings of doom that acted as a prelude to disaster for the WMG fleet. Only this time, we get a clear look at what they do; emit an invisible forcefield, one capable of taking dozens of WMG hits at once. But as we\u2019ll see in a bit, Yamanami\u2019s fleet manages to get through. This is powered by the Ark\u2019s head, crystallizing into the now-familiar blue Akerian architectural design. Perhaps a sign of overheating?<\/span><\/p>\n

Also, kudos to Zordar for having a garrison of ships protecting the top of the Ark. It\u2019s so rare to see space opera anime taking advantage of the 3D environment of space when it comes to troop deployment. CG can do things that hand-drawn animation would really struggle with.<\/span><\/p>\n

<\/p>\n

We\u2019re then brought back to Zemulia, seeing its destruction inside Gatlantis\u2019 gravity well. Flaming debris crashes and burns around Yamato<\/em> as Hijikata announces the order to launch. Engines ignite, the ground opens up, and cracks form all around the surface. \u201cNow, Kodai!\u201d Kodai raises the hull. The ship is steadied against the apocalyptic scenery, ready to rise. <\/p>\n

\u201cHigh energy signature, incoming!\u201d reports Miki, and in response Hijikata issues the iconic order: \u201cYamato<\/em>, LAUNCH!\u201d And it launches! Zemulia is utterly destroyed in its wake, fire raining from the sky. Hijikata issues a new order: \u201cGet into communications range no matter what, and inform Earth about Golem.\u201d The engines are set to max as Yamato<\/em> pushes through a mushroom cloud.<\/p>\n

<\/p>\n

[AMB]: This scene not only establishes the distance between Zemulia and the gravity well, but also acts as an homage of an homage. Yamato<\/em>\u2019s original liftoff from the red wasteland of Earth was as a revival of the old, protecting the future. In 2199<\/em>, the derelict Yamato<\/em>\u2019s image was used as camouflage, tricking the enemy into thinking it was an old and broken ship. But for 2202<\/em> (at this point 2203) we finally see this iconic moment recreated with full accuracy; camouflaged, broken radar equipment actually breaks as it sets off.<\/span><\/p>\n

The \u201csetting sun\u201d this time is the destructive red core of Zemulia being hollowed out, the scene passing the baton from 2199<\/em>\u2019s reimagining to 2202<\/em>\u2019s regeneration; the overall theme of this chapter. Some of the direction is shot for shot, recreated by two of the original’s greatest fans: Storyboard Artist Masahiko Okura<\/a> and Director Nobuyoshi Habara.<\/span><\/p>\n

[KC]: It is inspiring and impressive as hell.<\/span><\/p>\n

<\/p>\n

[AMB]: Even the music is a mixture of homage and regeneration, the iconic Yamato<\/em> launch music being presented in an unreleased instrumental form – a personal touch added by Habara to indicate \u2018his\u2019 take on Yamato<\/em>. He did the same thing for Yamato<\/em>\u2019s launch in his Director\u2019s Cut of Resurrection<\/em>, opting for an instrumental version of the movie\u2019s new theme. This time, he\u2019s removed the chorus of the iconic takeoff theme.<\/span><\/p>\n

And while Naoki Kusumi\u2019s performance as Hijikata is once again excellent, I do feel the same sorrow at knowing that Ishizuka Unshou was never able to deliver the iconic \u201cYamato<\/em>, LAUNCH!\u201d line. I\u2019m not the only one. His death was a major blow in the industry, a veteran beloved by all, both young and old.<\/span><\/p>\n

<\/p>\n

Yamanami has managed to penetrate Gatlantis\u2019 defenses, though his Andromeda Kai<\/em> is now the only ship left. He\u2019s completely given in to the A.I., letting it run the show. \u201cThis is no longer a matter of Earth or Gatlantis. As long as the Time Fault exists, the killing will never end.\u201d Cynicism chains his features as inhumanely effective tactics are carried out by the A.I. in response to enemy attack. \u201cI thought I\u2019d chosen the best option to restore Earth, but\u2026\u201d <\/p>\n

Andromeda Kai<\/em> cleans up any imminent threats on the battlefield and then promptly shuts down its weapons systems, now standing face to face with the Ark of Destruction\u2019s gravity well. \u201cIf only I could destroy the gravity well\u2026\u201d <\/p>\n

<\/p>\n

And then, a revelation; seeing Zemulia\u2019s destruction at the hands of Gatlantis, he asks himself a question. \u201cWhy are they destroying their own planet\u2026?\u201d<\/p>\n

[AMB]: Once again, Yamato and the Setting Sun<\/em> is used as a leitmotif for Yamanami, this being the most effective usage of it yet. The immense sorrow and sadness heard in his voice as he condemns his own poor decision-making is heartbreaking, especially seeing how he\u2019s lost faith. Not only in his judgement, but also in his combat skills. So, to repent for his mistakes he wants to give his life in exchange for destroying Gatlantis gravity well. That way, wherever Yamato<\/em> has crashed, if it\u2019s still kicking, it can break away. He\u2019d also be taking Yamato<\/em>\u2019s weight off its own shoulders after his failure at Saturn.<\/span><\/p>\n

<\/p>\n

[KC]: This scene gets me even after multiple viewings, although that can be said of any number of emotional scenes in this retelling. And this from someone who used to fast-forward through the Earthling parts.<\/span><\/p>\n

[AMB]: It\u2019s rough. A mostly-playful military man sees the folly of his own goodwill; the future of Earthlings is doomed whether they survive or not. They\u2019ll either be ruled by Gatlantis or their own Time Fault brand A.I., incapable of affecting the course of the future; something that really plays well into Zordar\u2019s botched Teresa-capture plan! Before he can kill himself, though, he thankfully sees something wrong with Gatlantis attacking one of their own planets. This is juxtaposed by the BGM cutting off before it enters its more grim militaristic portion, a neat touch mandated by the mid-episode commercial break.<\/span><\/p>\n

<\/p>\n

Having been in warp for most of the episode, Ginga<\/em> is forced to make a stop near Jupiter. Shima\u2019s concerned about something the A.I. said. \u201cWhat? Say it again!\u201d In response, Black Analyzer announces that HQ has ordered them to steer clear from combat in accordance with the G-plan; combined losses of the Earth-Garmillas joint forces have exceeded 50%. Black Analyzer assumes partial command of Ginga<\/em>. Shima can\u2019t believe they\u2019re actually under an A.I.\u2019s command now and Sanada finally asks the big question, turning around to face Captain Saki.<\/p>\n

\u201cWhat\u2019s the meaning of this? What\u2019s the G-plan?\u201d<\/p>\n

[AMB]: As someone who used to be interested in astronomy, I\u2019m ashamed to say that I had to look up what the planets of our solar system look like to figure out that Ginga<\/em> made a pit stop at Jupiter. For those who are equally out of the loop, the planetary order looks something like this: Saturn > Jupiter > Mars > Earth. That aside, not only is Yamanami experiencing an existential crisis over Earth’s submission to A.I. technology, but Ginga<\/em>\u2019s crew seem to be as well.<\/span><\/p>\n

Andromeda, Ginga<\/em>, the BBB-class\u2026 all of it is almost completely automated. Thankfully, without further interruptions Sanada can finally ask what the G-plan is.<\/span><\/p>\n

<\/p>\n

Saki begins: \u201cThe Time Fault can produce weapons endlessly, but humans have a limit\u2026\u201d <\/p>\n

Megumi continues: \u201cThe solutions are to reduce personnel by using A.I. and to raise weapon usage efficiency by modifying human bodies.\u201d<\/p>\n

That\u2019s when it finally hits Shima why Ichinose was so adamant to roboticize her body. And horror spreads across his face. <\/p>\n

<\/p>\n

Megumi coldly goes on: \u201cWe don\u2019t know what kind of choices humans will have to make in order to survive. That\u2019s why we preserve normal genes while we can, and when the worst comes\u2026\u201d and Sanada finishes for her: \u201c… we leave Earth to look for a new home. Is that the G-plan?\u201d<\/p>\n

[KC]: As with any good sci-fi, the least emotional thinkers have come up with the best hope for mankind and the rest of the characters are varying degrees of horrified.<\/span><\/p>\n

<\/p>\n

[AMB]: No kidding. Saki\u2019s starting to age-regress too, at least in demeanor. Even she can\u2019t bear to listen to all this, knowing what\u2019s to become of her body now that the joint Earth-Garmillan alliance has statistically failed. These ladies carry Earth\u2019s future, mankind\u2019s future and their own guaranteed pain and suffering on their shoulders now. Can\u2019t even begin to imagine what that\u2019s like.<\/span><\/p>\n

Niimi questions the validity of this plan. Because even if we humans have reproductive cells, it\u2019s not that easy to actually produce humans. \u201cThis ship isn\u2019t equipped with a lab capable of\u2026\u201d and she gasps at her realisation. <\/p>\n

<\/p>\n

\u201cCorrect,” Megumi responds. \u201cThat\u2019s why most of the Ginga<\/em> crew members are female.\u201d <\/p>\n

Kanzaki picks up the conversation: \u201cArtificial reproduction will eventually be realised, but for now\u2026\u201d and it\u2019s bookended by Ichinose, \u201c… we\u2019re humanity\u2019s last line of defense. Even if we mechanize our limbs, this body is still…\u201d Shima\u2019s about to lose it. \u201c… if humanity is to survive-\u201d and Shima loses it, bursting up from his chair to confront Ichinose. \u201cDo we have to go that far?!\u201d his entire body shakes in anger. Ichinose is unsure of how to respond.<\/p>\n

<\/p>\n

[AMB]: Shima\u2019s anger is incredibly relatable and should hopefully reflect the combined will of humanity to reject advancements that forsake that very thing; humanity. Another topic of interest is the fact that no matter how far we mechanize, the female body is still needed to ensure survival. This has been hammered into these girls to the point where they\u2019re completely detached from any semblance of personal identity, reciting doctrine like a uni-mind. They\u2019re breeding stock and they know it.<\/span><\/p>\n

Ichinose, however, seems a bit taken aback – and happily so – by Shima\u2019s outrage, perhaps reigniting some humanity within her. Shima\u2019s anger has been brewing since Episode 19, where he first heard of Ichinose\u2019s desire to reject her mortality. And we now know why.<\/span><\/p>\n

[KC]: Yeah, I\u2019m with you, Sanada. A ship crewed almost exclusively by women intended to be breeding stock? No thank you. Honestly, I wondered if they were going to figure out a way for the Time Fault to start churning out people and draw a correlation there between Earth and Gatlantis. Or more accurately, Earth and the Zemulians.<\/span><\/p>\n

<\/p>\n

[AMB]: We did have some of that in Episode 19, where Saki informed us that developments in humanoid technology are increasing rapidly inside the Time Fault. We were led to believe that they were blindly utilitarian in their desire to see this through, but we now know that they had a personal stake in it. Had the development been seen through within the next 100 days, they would have been spared this great duty. But now? Black Analyzer and HQ came to the conclusion that there\u2019s no hope for the joint Earth-Garmillan attrition strategy. So their fate as breeding stock is set in stone.<\/span><\/p>\n

\u201cIn order to overcome fear, you must become fear… such as the WMG fleet and military expansion with the Time Fault. \u201d Saki stops the turmoil with these short words, face huddled in darkness as she faces Sanada and Niimi. Yamato<\/em>\u2019s former bridge crew all listen intently, fear overwhelming them. \u201cThis is was what mankind chose after the devastation brought forth in the war with Garmillas. It\u2019s in order to live on in this cruel world, since humans are too weak.\u201d <\/p>\n

<\/p>\n

Captain Saki wavers at the end, her eyes watering. That\u2019s when they receive a transmission from Andromeda Kai<\/em> and Yamanami. <\/p>\n

[KC]: Reminded again of the quote from Jedi Master Yoda, which I believe I have already referenced in a previous commentary. Fear never leads to anything good in space opera.<\/span><\/p>\n

[AMB]: A cornered mouse bites the cat. Seeing the almost complete eradication of our entire race and planet, Earth has chosen to temporarily abandon human nature in a paradoxical effort to save that very nature. Once you see the darkness of war, poverty and starvation to unbelievable extents, anything is preferable to that.<\/span><\/p>\n

<\/p>\n

Whether it\u2019s the rise of Lenin in early 19th century Russia, or the allied powers’ fear of German expansion prior to WW1, fear rules hearts and minds in times of conflict, suffering and war. Why allow ourselves to be subjugated by supposedly unfeeling humanoids when we can choose to subjugate ourselves? At least that\u2019s a choice made by humans…<\/span><\/p>\n

\u201cAndromeda<\/em> to all ships; do you copy? I found Yamato<\/em>!\u201d This momentarily stuns Saki. \u201cIt was very brief, but I was able to visually detect it! That was Yamato<\/em>! Yamato<\/em> is alive!\u201d<\/p>\n

Yamanami’s voice and spirit both seem reinvigorated. Shima sheds tears of joy. \u201cBut it\u2019s caught in the Comet Empire\u2019s massive gravitational field. It\u2019s impossible for Yamato<\/em> to break free!\u201d Ginga<\/em>\u2019s bridge is suddenly brimming with life, all crew members discussing Yamato<\/em>\u2019s survival. \u201cRemaining ships, if you hear me, help assist Yamato<\/em> in its escape!\u201d<\/p>\n

<\/p>\n

[AMB]: Finally, individual actors within Earth\u2019s military take a strong stance against these dark developments, realizing that Yamato<\/em> is more than just a ship. It\u2019s a memento left behind by Earth\u2019s greatest Captain. It\u2019s a symbol of perseverance against all odds. Most importantly, it\u2019s hope that we can overcome the impossible.<\/span><\/p>\n

[KC]: Yamato<\/em> provides something A.I.s can\u2019t account for: hope. Another great emotional scene.<\/span><\/p>\n

[AMB]: Hope can triumph over chances and odds. The late Captain Juzo Okita knew that best. He\u2019d be proud of his junior here, urging his allies to disobey an order they know is wrong in order to steer humanity toward the right path again. As I mentioned a few episodes ago, Yamanami has been trying to find a place to die to make up for his retreat and failure at Saturn, for failing to do what Okita believed was best for humanity. Just like his historical counterpart, he wants to atone for failing Okita, but dying isn\u2019t the way to do it.<\/span><\/p>\n

<\/p>\n

Yamanami announces that Andromeda Kai<\/em> will approach the center of the Comet in an attempt to destroy \u201cthe enemy\u2019s gravity well\u201d. Tactical Chief Kanzaki comments on how Andromeda<\/em>\u2019s proposed course of action is practically suicide without an escort and First Officer Megumi adds that Andromeda<\/em> is incapable of holding out against a gravitational core that controls as much mass as the Ark of Destruction.<\/p>\n

Saki\u2019s reflections on this matter are interrupted by Sanada, who has a proposal: \u201cGinga<\/em>\u2019s Cosmo Reverse can amplify WMGs. Using this, Andromeda<\/em> alone should be able to damage the gravitational core.\u201d She shies away, unwilling to respond. <\/p>\n

<\/p>\n

[AMB]: While Yamanami\u2019s heart is with Yamato<\/em>, his mind is still that of a soldier\u2019s, even as he commits to his idealistic acts. And Sanada\u2019s plan? It holds merit, but it\u2019s still not a guaranteed win. The Yamato<\/em> way. However, Saki doesn\u2019t want her expectations to fall flat again, especially not at the cost of humanity. But the rest of the crew seem to warm up to the idea. The ice queen\u2019s heart is starting to thaw, her evil A.I. stepmother the only thing standing in her way.<\/span><\/p>\n

Black Analyzer counters Sanada\u2019s suggestion, arguing that \u201cin order to obtain the expected result,\u201d they would be placing too much strain on the Cosmo Reverse System. They suggest that it is a highly unreliable plan and that the crew cannot afford to lose the CRS, at which point Sanada has an extremely uncharacteristic and angry outburst, cutting Black Analyzer off by insisting, “I didn\u2019t ask for your opinion!\u201d He then addresses the Captain, but Saki does not answer, biting her lip in frustration.<\/p>\n

<\/p>\n

[AMB]: We all know Niimi\u2019s fallen for Sanada since Mamoru\u2019s death, and this must have broken any doubts in her mind about his humanity. So many characters in this show deserve their own weddings at this point, it\u2019s not even funny.<\/span><\/p>\n

[KC]: I do like this Sanada quite a bit, secretly dating his dead best friend\u2019s former sweetheart and his arms and legs that aren\u2019t bombs and his rage against the machines.<\/span><\/p>\n

[AMB]: He\u2019s had quite the evolution as a character, hasn\u2019t he? From being a sort of goofy scientist with all the gadgets and gizmos, he\u2019s become a profound contemporary philosopher and stout warrior of love. His \u201cI didn\u2019t ask for your opinion!\u201d line was a major shock in Japanese cinemas, a clear departure from who he used to be in favor of idealism. And it was so well put! The fate of humanity, of Yamato<\/em>, is at stake. Machines have no right to dictate the next course of action.<\/span><\/p>\n

<\/p>\n

Yamanami laments how too many lives have been lost. He argues that while he\u2019s unable to take responsibility for bad choices already made, he can at least sacrifice his life and Andromeda<\/em> to bring back Yamato<\/em>. Suddenly, he hears a voice chiding him. It is the voice of Hijikata. <\/p>\n

\u201cYamanami.\u201d All noise quiets down. \u201cThere\u2019s no responsibility in dying, Yamanami.\u201d <\/p>\n

Music starts to swell in tandem with Yamanami\u2019s eyes as we see Yamato<\/em> struggling to escape Zemulia\u2019s destruction. \u201cLive\u2026\u201d <\/p>\n

<\/p>\n

Yamato<\/em> takes a devastating hit as we cut to Kato, waiting for takeoff orders aboard Ginga<\/em>. <\/p>\n

\u201cLive and dust yourself off. No matter how humiliating it is, survive!\u201d <\/p>\n

Kato raises his head as we cut from Ginga<\/em> to Yamato<\/em>, where Hijikata, perfectly aligned with Okita\u2019s sculpture, continues; \u201cHumans are weak. We make mistakes. So what? We\u2019re not\u2026 machines!\u201d<\/p>\n

<\/p>\n

[AMB]: The pure magical brilliance of this scene with its flawless direction and abundant payoffs cannot be understated. Going from the traditional \u201cgo down with the ship and die\u201d mentality which we\u2019ve seen time and time again, Hijikata chides Yamanami for trying to ditch any semblance of real responsibility by dying. That\u2019s not how you take responsibility, that\u2019s how you run away from it.<\/span><\/p>\n

The historical Yamanami tried running away from his responsibilities as well, only to be brought back to the fold and executed for those actions. Similarly, in the original Yamato<\/em>, we kept seeing brave Captains like Yamanami and soldiers like Saito giving their lives to serve the greater good. But in this instance? It\u2019s far below necessary, and Yamanami should not give in to glory-seeking.<\/span><\/p>\n

It\u2019s the same for Kato. And the same for Hijikata and the Ginga<\/em> crew. They should stop seeking places to die for mistakes of the past. They should live, rejecting the prophecies of machines and forge their own path forward. That way, they can teach the next generation about their mistakes and grow with them. That\u2019s how you truly save humanity.<\/span><\/p>\n

Humans aren\u2019t machines, they\u2019re not expendable pawns without morals or values. Now, we can argue whether or not Yamanami really hears Hijikata\u2019s voice in his head, if it\u2019s being transmitted to him from Yamato<\/em>, or if he\u2019s remembering some old lecture of Hijikata\u2019s\u2026 but that\u2019s beside the point that\u2019s being made here. Yamanami understands this truth within his heart.<\/span><\/p>\n

<\/p>\n

With increased fervor, Black Analyzer insists that the G Plan must be prioritized for humanity\u2019s survival. Hijikata\u2019s voice begins booming over Black Analyzer as we see the bowed head of Captain Saki Todo. \u201cMachines are shameless,\u201d Hijikata says. \u201cThat we can make mistakes and feel shame. Those are the privileges of humanity.\u201d<\/p>\n

[AMB]: Finally, after years of ineptitude and passivity, Hijikata admits that it\u2019s okay to make mistakes and learn from them, realizing that Yamato<\/em> is a ship whose greatest strength is its humanity – humility and mistakes included. Even if you risked your mothership like Kato, even if you failed to protect the land under your jurisdiction like Hijikata, and even if you couldn\u2019t prevent your mother\u2019s suicide (leading to a temporary loss of humanity) like Saki, it\u2019s okay. We all make mistakes. And as long as we keep living, keep atoning and keep pushing for a better world by learning from these mistakes, we\u2019ll prove how truly valuable our humanity is.<\/span><\/p>\n

<\/p>\n

Saki raises her head just as Black Analyzer begins to deliver an absolute withdrawal order. Her decision is made. She rises from her seat and coldly fires two shots point blank into the robot, silencing it instantly as its panels and screens go dark. Ichinose rises from her station in alarm. \u201cCaptain!\u201d<\/p>\n

\u201cAs of this moment, the command AI has been replaced,\u201d Captain Todo shouts to the bridge with gusto. \u201cI will take command of this ship.\u201d<\/p>\n

[AMB]: The combined voice-acting forces of Naoki Kusumi (Hijikata), Ayahi Takagaki (Saki) and Cho (Black Analyzer) completely stole the show here. The immaculate audio mixing between the three, along with the completely new and original BGM Endless War<\/em> by Akira Miyagawa help create a defining moment for the Yamato<\/em> saga as a whole. Harutoshi Fukui (Writer) and Hideki Oka (Scriptwriter) really outdid themselves. The BGM has been stripped of certain elements to make it fit better to the scene in question. In this instance, it\u2019s a \u201cNo chamber\/no Harpsichord\u201d version that sounds much grander than the track on the second original soundtrack CD.<\/span><\/p>\n

[KC]: Another triumphant moment for human intelligence over an artificial one in this episode. I expect that is totally by design.<\/span><\/p>\n

<\/p>\n

[AMB]: Nothing about humanity is by design. We change and adapt according to our circumstances, purely of our volition. Or, like Ichinose, we rely completely on the technological benefits of mechanization. I get why she expresses discomfort over what Saki just did, but it\u2019s a spiritual wakeup call for her that she\u2019ll definitely appreciate years down the line. In many ways, she\u2019s likely made to act as an audience surrogate for younger viewers like myself who are too attached to technology to see the value in choosing to not follow preset algorithms.<\/span><\/p>\n

[KC]: Ah, sorry; I meant that the writers<\/em> did it totally by design. First a compromised Analyzer is made to reveal their secrets by the arrival of Touko Katsuragi, then Saki Todo enforces her will over that of Black Analyzer. That is not accidental poetry, it is the theme of the entire episode, if not the series itself. We must never give up our humanity to survive.<\/span><\/p>\n

[AMB]: No offense taken! I was just taking advantage of your wording to say something poignant, heh. And that\u2019s an astute observation! Never made that connection until now.<\/span><\/p>\n

Editor Tim Eldred stepping in here with another observation. With all the other drama going on, it’s easy to forget that the sequence we’ve just seen is in many ways the core of the story. The overall message of Farewell to Yamato<\/em> in 1978 was that humans are not cogs in a machine. To illustrate that, a giant mechanized empire (symbolic of international industrialization) attempted to dehumanize the human race and the young crew of Yamato<\/em> stood up in defiance. The purpose of 2202<\/em> was to find a new, more contemporary way to express that message. Now the enemy isn’t just a mechanized empire, it’s a machine intelligence that we ourselves created and depend on. (I trust the allegory is clear.) That machine attempted to dehumanize us, and the captain of Ginga<\/em> stood up in defiance. It’s fascinating to see this same message articulated in different times.<\/p>\n

First Mate Kanzaki begins a system restart as Captain Todo orders Ginga<\/em> to the Martian front. <\/p>\n

<\/p>\n

Yamanami and Andromeda Kai<\/em>, meanwhile, are really taking a beating. Several Eater ships have started lunging at him, desperate to take him down as he approaches the gravity well. They cut through his supporting dreadnaughts before aiming straight for his bridge. In one swift, effective motion, an Eater slices through it, leaving it ripped open to the hostile wind currents inside the White Comet.<\/p>\n

The music reaches its crescendo as we see Yamanami, unscathed thanks to his space suit, holding on for dear life to Andromeda<\/em>\u2019s bridge console. He clenches his teeth, facing the wind before yelling out an order. \u201cRapid torpedoes, fire!\u201d The aft torpedoes are launched in a flurry, intercepting the pursuing Eater vessels with no pardon. No pursuers in sight.<\/p>\n

<\/p>\n

[AMB]: The first time I bore witness to Yamanami\u2019s brave charge against the scourge of the White Comet, it gave me the same kind euphoria as the climax of the first Pirates of the Caribbean<\/em> movie. The swashbuckling adventures of Jack Sparrow had a tremendous formative effect on my youth, where I\u2019d try mimicking the intense swordplay in those movies. The rhythmic and melodic BGM mixes did a lot to help bring my fantasies to life. This scene recreated that childhood experience for me, and still does on repeat viewings. It\u2019s a perfect combination of adventure, stakes, excitement and character progression that mixed beautifully with the BGM, displaying the finest and most reckless qualities of a human being. Yamanami went from being a replacement Captain to a true hero.<\/span><\/p>\n

Suddenly, his console indicates that the ship\u2019s Wave-Motion Engine is being restarted. Andromeda Kai<\/em> has actively chosen<\/em> to support his reckless endeavour. He chortles at this. \u201cYou\u2019re a stubborn one, Andromeda<\/em>.\u201d Yamanami comments on their mutual stubbornness, and after giving it a quick nod of approval he orders the ship to ready the Wave-Motion Gun for firing at Gatlantis\u2019 gravitational core. As the quadruple-spread diffusion WMG begins powering up, Ginga<\/em> valiantly arrives at the scene. It bursts out of warp and swings itself around behind Andromeda<\/em>. <\/p>\n

<\/p>\n

[AMB]: That slow turn is paced brilliantly with the drawn out portion of Endless War,<\/em> making what could have been a jarring sequence sped up for drama into something a lot more grounded, building up anticipation for what\u2019s to come.<\/span><\/p>\n

[KC]: YES!!! Such a dramatic shot of this ship arriving to save the day.<\/span><\/p>\n

[AMB]: Even better is an aspect that I don\u2019t see talked about much; Yamanami and Andromeda<\/em>\u2019s brotherly romance going on here. He\u2019s placed his faith and trust in this ship, and here at the end of its life span it chooses to go along with Yamanami\u2019s crazy plan. We don\u2019t know if it\u2019s just weighing the odds in his favor, or if his perceived spirit actually inspired some kind of thought process evolution in the ship\u2019s A.I. But I like to believe the latter. Maybe Andromeda<\/em> has adopted some of Yamanami\u2019s qualities just like Analyzer did from Sado aboard Yamato<\/em>.<\/span><\/p>\n

Captain Todo rises from her station to salute Andromeda<\/em>\u2019s Captain. \u201cCaptain Yamanami, allow us to accompany you. So that we can both survive together.\u201d<\/p>\n

He smiles back at her and seemingly returns the salute as the Ginga<\/em> powers up its CRS. The Cosmo Reverse is operating at its limit; First Mate Kanzaki notes that after this shot they won\u2019t be able to use it anymore. <\/p>\n

\u201cThat\u2019s fine,\u201d the Captain assures her. \u201cThis is our ship, humanity\u2019s ship!\u201d<\/p>\n

<\/p>\n

[AMB]: There\u2019s an aura of deep, mutual respect between these two Captains, who\u2019ve probably never met once in their entire lives. While waxing poetically about the dangers of technology, 2202<\/em> doesn\u2019t neglect to show us what wonders it can bring. These two? Without long distance communication, this wouldn\u2019t have happened. Without the advanced A.I. aboard Andromeda Kai<\/em>? The WMG might not have been able to restart itself. And without Ginga<\/em>\u2019s CRS? Well, none of what\u2019s about to happen could have been achieved. The message is uplifting as well; Ginga<\/em> has finally become humanity\u2019s ship as promised two episodes ago, not by sacrificing someone like Kato but by saving a fellow man like Yamanami!<\/span> <\/p>\n

We also once again have another style-over-realism moment, where the direction makes us believe that Yamanami can see and hear Saki\u2019s proclamations. But most likely, he\u2019s just seen Ginga<\/em> arrive to assist, perhaps hearing some audio broadcast from her bridge. It\u2019s a spectacular moment that works whether or not they know the other is saluting. In fact, it\u2019s even better if they don\u2019t, because then it means humans have the common decency to salute. They have faith in one another in spite of never meeting, betting on low odds. That\u2019s humanity.<\/span><\/p>\n

There\u2019s also a symbolic connection, where the ideological divide between the WMG fleet supporters (spearheaded by Yamanami and Andromeda<\/em>) unite with the G-plan proponents (Saki being the obvious counterpart) to find a new way forward, together. Like Saki said: \u201cSo that we can both survive together.\u201d<\/em><\/span> <\/p>\n

<\/p>\n

\u201cAmplification rate, 8 million TPa!\u201d announces Kanzaki. On their respective Captains\u2019 commands, Ginga<\/em>\u2019s CRS boosts Andromeda<\/em> at Saki\u2019s orders, followed by Yamanami firing off his ship\u2019s WMG. <\/p>\n

The process is as such: First, Ginga<\/em>\u2019s CRS envelops Andromeda<\/em> and its immediate surroundings in an orange light, boosting its output. Then, Andromeda<\/em>\u2019s quadruple-diffusion WMG lances out, all four beams merging to penetrate the outermost layer of the CRS\u2019 orange light, the beams coated and forming with the CRS field to become one giant superbeam; thick liquid lightning. This beam accelerates, punching through the innermost core of the Ark\u2019s gravity well. The beams spread inside it like neurons, creating purple lightning that crackles and sparkles all across the surrounding space. The core ignites and goes dark, flames bearing the image of galaxies flooding out from the core. <\/p>\n

<\/p>\n

[AMB]: We\u2019ve spoken briefly about how cosmic horror soaks Gatlantis\u2019s visual and audio design during the making of these commentaries, and I\u2019d just like to reiterate that. Whenever the battleships of Earth and Garmillas have engaged in combat against the Ark, it\u2019s always reacted in ways that are both difficult to explain and visually mesmerizing.<\/p>\n

From the crystallization of the head to the red beams of doom to the galaxy-colored flames of the overloaded gravity well. This entire scene is a visual treat, even if the bastardization of the CRS breaks my heart. But like the characters said, they can\u2019t take back their sins, so they better keep on living so that they can repent. This includes<\/em> the bastardization of the CRS, as well as the large scale implementation of WMGs.<\/span><\/p>\n

<\/p>\n

The sudden disruptions from the gravity well completely destabilize the surrounding space, breaking apart Zordar\u2019s newly-formed Legionnaire Cannon and ending its scorching of Zemulia, but it’s too late. The Gatlantean Kalaklum ships drift and spin as Yamato<\/em> continues to climb. Fire and brimstone and planetary chunks expand from what remains of Zemulia.<\/p>\n

Kodai announces that the rudder is not working and Saijo informs the bridge that it will be three seconds until the shockwave passes. Hijikata orders the engines to maximum output and Kodai struggles to gain altitude as Zemulia shatters, one large piece of the planet about to obliterate them.<\/p>\n

<\/p>\n

[AMB]: We all know what\u2019s coming next, so let me just insert something real quick. Had the two ideological opponents behind the WMG fleet plan and the G-plan not<\/em> united just now (against all odds) in an effort to save Yamato<\/em> (their mutual object of reverence and respect) the ship wouldn\u2019t survive this. Like Teresa told us so many episodes ago, it\u2019s up to every individual themselves to choose their future. Yamato<\/em> just happens to be an incredibly harmonizing factor that helps encourage and motivate positive developments.<\/span><\/p>\n

This right here is the proof. Who changed Yamanami\u2019s mind? Okita\u2019s children and Hijikata. Who spurred on change in Saki and her crew? Okita\u2019s children. Teresa believes that the children of the progenitor race Akerius are capable of bringing about \u201cthe right future\u201d as long as they do what they feel is right. And that\u2019s always been what Yamato<\/em>, the ship, has done.<\/span><\/p>\n

<\/p>\n

Suddenly, rocket anchors are forcibly launched and lodged into Yamato<\/em>\u2019s flanks, towing the struggling ship to safety. Miki confirms to the bridge that what saved them were indeed rocket anchors and Kodai\u2019s left staring in shock and awe at the sight of their rescuer: Andromeda Kai<\/em>. Hijikata wryly smiles, as does Yamanami with a humbling bow of his head. After a brief respite, Yamanami orders all ships to escape from the White Comet. They pull away as Zemulia\u2019s core slowly starts to implode, leaving behind a large white explosion of light. <\/p>\n

<\/p>\n

[AMB]: Yamanami and Hijikata don\u2019t even need to see one another face to face to feel the same sense of accomplishment and relief. These hard-boiled, middle-aged manly men have hearts of gold.<\/span><\/p>\n

[KC]: This episode is one \u2018woo-hoo\u2019 moment after another!<\/span><\/p>\n

[AMB]: No wonder it\u2019s considered one of the best in the series, even by 2202<\/em>‘s detractors. Yamato<\/em>\u2019s crew is left thinking that chance and luck saved them as always, but we in the audience are getting a taste of what Teresa\u2019s been talking about. Even in 2199, Yamato<\/em> had incredible luck. But once you examine the actions it\u2019s taken, and how every move and relationship the crew forms with other people helps set up the events which feed into their \u201cluck\u201d… you start seeing a pattern.<\/span><\/p>\n

<\/p>\n

Through taking risks, showing humility and owning up to their mistakes, Yamato<\/em>\u2019s crew kept influencing various actors of both 2199<\/em> and 2202<\/em> to help change the playing field. Melda, Ito and Yurisha could have remained great obstacles all throughout 2199<\/em>, but due to the acts of mutual understanding these characters experienced, they all grew to help and support one another, leading to the right future. Even the Desslers have both been fundamentally influenced and affected by Yamato<\/em>, as have all of the Gatlantean Admirals they\u2019ve met.<\/span><\/p>\n

<\/p>\n

A heavy yet triumphant variation of the Yamato<\/em> theme starts to play as the titular ship is pulled out of the White Comet\u2019s fog. They both escape, followed closely by Ginga<\/em>. But the White Comet\u2019s still going. All three ships end up grazing the atmosphere of Mars, with Ginga<\/em>\u2019s crew noting that Andromeda<\/em> has taken heavy damage and is at her limit. Smoke billows out of the battered Andromeda<\/em>\u2019s engines.<\/p>\n

Still on standby in his Blackbird on Ginga<\/em>‘s catapult, Kato becomes very emotional at seeing Yamato<\/em> alive again. His voice is hoarse and tears start to form. \u201cYamato<\/em>\u2026\u201d He takes in the ship’s devastated image. \u201cYou\u2019re alive\u2026 you’re really alive!\u201d Then the order from Captain Todo comes through to assist both Yamato<\/em> and Andromeda<\/em> in their escape. Kato promptly does away with his tears, clenches his teeth and gets to work. <\/p>\n

<\/p>\n

[AMB]: The first half of the BGM Yamato Dyed in Red<\/em> here was originally more somber in Yamato 2<\/em> but has been given a bombastic touch-up for this reboot. It effectively sets up Yamato<\/em>\u2019s return from the jaws of death as something biblical, while its second half does something entirely different.<\/span><\/p>\n

The visuals here are once again breathtaking. Seeing the ships each exiting the White Comet\u2019s fog in tune with the music is a marvel with an epic sense of scale. These guys managed to break out of that thing, and we feel that victory.<\/span> <\/p>\n

<\/p>\n

Kato, meanwhile\u2026 understandably has trouble feeling the same sense of triumph, his emotions being a tangled mess; hence the music temporarily cuts out when we see him again. He\u2019s so much of a mess, in fact, that we can see an animation error where his tears are there one second, gone the next and back again.<\/span><\/p>\n

Andromeda Kai<\/em> begins to drop toward Mars, a mass of continuous explosions. \u201cWe\u2019re done for, huh?\u201d Yamanami does what he can on the remains of the bridge, wondering if this is the end for him and his ship. He decides to unlodge her anchors from Yamato<\/em>, leaving Kodai to witness Andromeda<\/em>\u2019s fall with dismay and worry. Leaving a trail of thick, black smoke, the hull disappears under a layer of clouds. Kato races in, teeth gritted in determination, and Kodai gasps in shock as the clouds themselves seem to ignite from within.<\/p>\n

<\/p>\n

[AMB]: And here\u2019s the somber portion of the BGM, endlessly tense and majestic. Just like Captains of old, Yamanami doesn\u2019t want to leave his ship alone to its fate and does his best to save it, but all for naught. At least Yamato<\/em> doesn\u2019t have to share in their end. Andromeda<\/em> has been metaphorically dragging Yamato<\/em> down since the start of this show, being an object of scorn and a symbol of Earth\u2019s misguided future.<\/span><\/p>\n

Now Yamato<\/em>\u2019s burden is lifted, but at what cost? Kato doesn\u2019t want to give up on Andromeda<\/em>, just like he shouldn\u2019t have given up on Yamato<\/em>\u2019s chances of survival earlier. So he risks his life to make up for his previous actions no matter what, believing he\u2019ll survive.<\/span><\/p>\n

Yamato<\/em> and Ginga<\/em> both stand witness to Andromeda<\/em>\u2019s bravery, the ship lost in a cloud of fire. Hijikata rises from his seat with a grim look, anxiously holding his console. But as something begins to emerge from within the smoke, he looks up at the viewscreen. The darkness covering his face vanishes. <\/p>\n

<\/p>\n

We slowly see the Blackbird unit emerging from the smoke and Kato delivers a report: \u201cThis is Kato of the Blackbirds. Do you read me?\u201d On top of his fighter crouches Yamanami, still suited up and clinging to Kato\u2019s hull. \u201cReporting the successful rescue of Captain Yamanami.\u201d The Captain\u2019s roughed up, bleeding and unemotive. But as the Yamato<\/em> theme reaches its final familiar notes, we see him; grinning with a wink. <\/p>\n

\u201cI repeat. Captain Yamanami has been successfully rescued!\u201d With a small, private smirk, Hijikata salutes this news as the fighters return to Ginga<\/em> and Yamato<\/em>.<\/p>\n

<\/p>\n

[AMB]: Against all odds, Kato and Yamanami manage to outlive their desire to die. Rather than taking responsibility through harakiri, they opt to live on, facing the consequences of their actions. They both wagered family and country on their decisions, but ultimately they did so with the best of intentions. The results have been disastrous, but not fatally so. Thanks to Kato, Yamato<\/em> now knows about Golem and planet bomb sickness is cured. Thanks to Yamanami, Yamato<\/em> was saved, Ginga<\/em>\u2019s soul was rediscovered, and Burrel was given the opportunity to retreat from the front. Their actions weren\u2019t for naught.<\/span><\/p>\n

And best of all? Not having to see Hijikata lose another old friend. He was content to go down with the ship in Episode 19 as long as it meant people managed to escape. He sure is happy he didn\u2019t. Damn if it isn\u2019t cheezy to see Yamanami and Hijikata smirking at one another like that, but it\u2019s the best kind of cheese. Also, at this point Hijikata has actually passed Okita in age. Okita died at age 57, four years ago. Hijikata was 56, so he\u2019s now 60. Yamanami has likewise aged from 48 to 52. <\/p>\n

<\/p>\n

[KC]: And another exciting episode draws to a close as we approach the end of the series. Only five more to go!<\/span><\/p>\n

[AMB]: This has been quite the adventure! Can\u2019t believe we’re approaching the end\u2026 but before then, a certain caped crusader needs to make his stunning return. Next time marks the end of Chapter 6: Regeneration. And the payoffs won\u2019t stop coming.<\/span><\/p>\n

On a final note, the brotherly romance between Andromeda<\/em> and Yamanami caught a lot of attention on the Japanese side of Twitter during the cinema screenings of Chapter 6. So much so that a fan drew a storyboard for a scene where the Black Analyzer aboard Andromeda<\/em> gives its life to push Yamanami out of the burning wreckage, enough to reach Kato\u2019s Blackbird. Whether or not that actually happened, it\u2019s forever part of my headcanon.<\/span><\/p>\n

\n
\n

Coda<\/h3>\n

Theatrical release: Space Battleship Yamato 2202, Soldiers of Love<\/em> Chapter 6: Regeneration Chapter<\/em> contained episodes 19-22. It premiered in Japanese theaters November 2, 2018.<\/p>\n

Japanese video: Theater-exclusive Blu-ray November 2, 2018. Standard Blu-ray & DVD December 21, 2018<\/p>\n

First Japanese TV broadcast: February 22, 2019<\/p>\n

American debut: March 23, 2019 (streaming) November 26, 2019 (home video)<\/p>\n

The end title Great Sum<\/em> is performed by Koichi Yamadera.<\/p>\n

Click here<\/a> for a complete BGM collection for Episode 21.<\/p>\n

Episode credits<\/em>
\nEpisode Director: Ryusei Koyano
\nStoryboard: Masahiko Okura & Nobuyoshi Habara
\nAnimation Director: Takushige Norita<\/p>\n

Series credits<\/em>
\nWriter: Harutoshi Fukui
\nScriptwriter: Hideki Oka
\nDirector: Nobuyoshi Habara, Xebec Studio
\nAssistant Director: Makoto Kobayashi
\nArt Director: Yoshio Tanioka
\nCG Animation Director: Yuuto Uwabo, Sublimation Studio
\nMusic: Akira Miyagawa, Hiroshi Miyagawa
\nExecutive Producer: Shoji Nishizaki<\/p>\n

Continue to Episode 22<\/a><\/p>\n

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