{"id":27304,"date":"2019-08-21T22:19:26","date_gmt":"2019-08-22T05:19:26","guid":{"rendered":"https:\/\/www.ourstarblazers.com\/vault\/?p=27304"},"modified":"2019-09-14T22:27:30","modified_gmt":"2019-09-15T05:27:30","slug":"416a","status":"publish","type":"post","link":"https:\/\/www.ourstarblazers.com\/vault\/416a\/","title":{"rendered":"<em>Space Battleship Yamato<\/em> retrospective, 1994"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-880 alt=\"1909icon\" src=\"https:\/\/www.ourstarblazers.com\/vault\/wp-content\/uploads\/1909icon.JPG\" width=\"216\" height=\"90\" \/><\/p>\n<p class=\"cosmo-teaser\">Just before <em>Yamato<\/em> reached its 20th anniversary in 1994, <em>LB Nakasu Communication<\/em> magazine published a rare cover story on its impending comeback. Its main feature article was this capsule history of <em>Yamato<\/em>&#8216;s impact on Japan.<\/p>\n<div style=\"clear: both;\"><\/div>\n<p><!--more--><!--noteaser--><\/p>\n<p>Just before <em>Yamato<\/em> reached its 20th anniversary in 1994, <em>LB Nakasu Communication<\/em> magazine published a rare cover story on its impending comeback. In addition to an interview with Exec Producer Yoshinobu Nishizaki (which can be read <a href='https:\/\/www.ourstarblazers.com\/vault\/403a'>here<\/a>), its main feature article was this capsule history of <em>Yamato<\/em>&#8216;s impact on Japan.<\/p>\n<p><span class=\"image-left\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB07.JPG\" border=\"0\" \/><\/span><\/p>\n<h2><em>Space Battleship Yamato<\/em>: a thorough analysis of its appeal<\/h2>\n<h3>Part 1: Battleship <em>Yamato<\/em> revives and flies across the sea of space\u2026this form captivated all of Japan<\/h3>\n<p>The Battleship <em>Yamato<\/em> was considered the greatest masterpiece of shipbuilding. It is said that it was loaded with only enough fuel for a desperate one-way voyage. After shouldering such a tragic episode, it now sleeps off the coast of Bogasaki. For some reason, the Japanese still hold deep feelings for this great ship, and then those grand, romantic dreams were carried off into the ocean called \u201cspace\u201d\u2026<\/p>\n<p>The anime <em>Space Battleship Yamato<\/em> aired just 20 years ago. In its first TV broadcast, it ran behind the popular program <em>Heidi Girl of the Alps<\/em>, so its planned <a href='https:\/\/www.ourstarblazers.com\/vault\/455'>52 episode run<\/a> was quietly reduced to 26. However, its popularity increased every time it was rerun, and five feature films were eventually made (the sixth will be released next year) and it became a huge hit. [Translator&#8217;s note: this was a reference to <em>Yamato Resurrection<\/em>, which was initially announced for 1995.] Hundreds of boys and girls lined up the night before the first premiere to get free cells. Its distribution set records in the history of Japanese movies. If you\u2019re currently in your 20s or older, everyone around you knows the title <em>Space Battleship Yamato<\/em>. <\/p>\n<p>Why did this title become so well known? Needless to say, the main character of <em>Space Battleship Yamato<\/em> is <em>Yamato<\/em> itself, the giant ship flying through space. The Battleship <em>Yamato<\/em> was reborn as a battleship that flies through the sky\u2026was this idea itself a factor that made it a hit? Wasn\u2019t everyone fascinated by Producer Nishizaki calling it <em>Space Battleship Yamato<\/em>, and artist Leiji Matsumoto drawing not just a battleship in space, but also the C62 type steam locomotive [in <em>Galaxy Express 999]?<\/em> We all thought of <em>Yamato<\/em> as sailing with a one-way ticket, but in <em>Space Battleship Yamato<\/em> we felt like we were watching a story of its desire to come back to Earth. Therefore, the narration \u201c<em>Yamato<\/em>, Earth is waiting for your return\u201d shook our hearts every time we heard it in the first TV series.<\/p>\n<p>Another major factor of <em>Yamato<\/em> becoming a hit is that it was accepted by a wide range of age groups. Some are attracted to giant heroes, some project themselves into the characters, and some even dreamed of boarding <em>Yamato<\/em> themselves. So, regardless of age and gender, we poured our feelings into <em>Space Battleship Yamato<\/em>. It must be because of the romantic dreams we\u2019ve all had since being born into this world, and the love we all wish for that lies at the heart of this magnificent story.<\/p>\n<p>Therefore, it should never be dismissed as \u201cjust anime.\u201d Just as the shipbuilding staff at Kure Port once gathered all the power of a nation to build a huge, unprecedented battleship called <em>Yamato<\/em>, <em>Space Battleship Yamato<\/em> \u201cgave dreams to people\u201d because of the passion of those who made it.<\/p>\n<p><span class=\"image-right\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB08.JPG\" border=\"0\" \/><\/span><\/p>\n<h3>Part 2: The thing that keeps <em>Yamato<\/em> appealing throughout the series\u2026is \u201clove\u201d!<\/h3>\n<p><em>Space Battleship Yamato<\/em> depicts various kinds of love throughout the series. Here we look back at the love of characters in the story by following famous lines.<\/p>\n<p><span class=\"textBlue\">\u201cWe should never have fought them. We should have shown them we cared! Victory tastes like ashes!\u201d<\/span><\/p>\n<p>In Episode 24 of Part 1, Susumu Kodai shouts this while looking out at the ruined landscape of Gamilas. It\u2019s a scene that shows the magnificence of space love, saying everyone in space should have held out their hands.<\/p>\n<p><span class=\"textBlue\">\u201cEarth, it\u2019s all so nostalgic.\u201d<\/span><\/p>\n<p>These are the last words of Captain Juuzo Okita in the last episode of Part 1, in the peaceful death scene of this old commander who continued fighting and unified the ship. He holds in his hand a photograph of his deceased family. It is a line that appeals to eternal love for your hometown. At that moment, Yuki Mori revives from a deathlike state to inherit his soul.<\/p>\n<p><span class=\"textBlue\">\u201cPlease fight them and win. I know you will, Susumu\u2026\u201d<\/span><\/p>\n<p>These were Yuki Mori\u2019s words of encouragement to her beloved fianc\u00e9e Susumu Kodai in <em>Farewell to Yamato<\/em>. It is said that many viewers wept as she quietly breathed her last with pride for the one she loved.<\/p>\n<p><span class=\"textBlue\">\u201cYuki, we will be married and become a star in eternal space. Yuki, this is our wedding ceremony.\u201d<\/span><\/p>\n<p>Susumu Kodai, who was appointed as the deputy captain in <em>Farewell<\/em>, says this after deciding to plunge <em>Yamato<\/em> into the enemy warship. This is his first confession of love as a man after previously declaring love for Earth and space. It was a very sad ending for two people who had launched from Earth three days after postponing their wedding.<\/p>\n<p><span class=\"textBlue\">\u201cYou have shown your courage and love. Now come with me.\u201d<\/span><\/p>\n<p>At the end of <em>Farewell<\/em>, Teresa says this after Kodai\u2019s words described above. She sympathizes with the love for both humanity and for space displayed by <em>Yamato<\/em>\u2019s crew, and dedicates her life to <em>Yamato<\/em>\u2019s final charge.<\/p>\n<p><span class=\"textBlue\">\u201cYou know your sins now. The feeling spreads through all of space, and will one day surely create a human race that cherishes life. Goodbye, Susumu, my handsome young uncle\u2026\u201d<\/span><\/p>\n<p>At the end of <em>Be Forever Yamato<\/em>, Sasha appears in space with this lingering thought after sacrificing herself, speaking of the importance of life and her feelings of love toward Kodai, who is actually her uncle. It\u2019s a line that inherits the spirit of Iscandarians, who place importance on a self-sacrificing love.<\/p>\n<p><span class=\"textBlue\">\u201cEarth, I pray for those children. <em>Yamato<\/em>, let\u2019s go to the warriors who died fighting for Earth.\u201d<\/span><\/p>\n<p>These are the last lines of Captain Okita in <em>Final Yamato<\/em>, who decides to save Earth by going down with the ship. He refers to the crew as his children and prays to mother Earth for their future, which you can see as the love of a great father. Okita also sees <em>Yamato<\/em> as an equal partner and talks to it like a friend. It\u2019s a great scene where Okita\u2019s life feels as great as a giant ship.<\/p>\n<p><span class=\"textRed\"><em>Text in red box:<\/em><\/span><\/p>\n<h3>A staff and cast that transcends the limits of anime<\/h3>\n<p>Another factor of the <em>Space Battleship Yamato<\/em> series becoming a hit was the appointment of an extravagant cast and staff that transcends the limits of anime. Since music is described in a separate section, here we will introduce the staff and cast.<\/p>\n<p>First, the director. It is known in particular that <a href='https:\/\/en.wikipedia.org\/wiki\/Toshio_Masuda_(director)'>Toshio Masuda<\/a> worked as the general director on the first movie, <em>Be Forever Yamato<\/em>, and <em>Final Yamato<\/em>. He is a master craftsman well known in the Japanese movie world for films starring Yujiro Ishihara, such as <em>Rusty Knife, Red Wharf, Red Handkerchief, Life Theater, Hill 203, Company Funerla,<\/em> and <em>The Great Sins of Heaven.<\/em><\/p>\n<p><a href='https:\/\/en.wikipedia.org\/wiki\/Kazuo_Kasahara'>Kazuo Kasahara<\/a>, one of the best scriptwriters in Japan, participated in the screenplay for <em>Final Yamato<\/em>. His was the hand that penned the screenplay masterpiece <em>Battles Without Honor and Humanity.<\/em><\/p>\n<p>Because there is a scene in <em>Farewell to Yamato<\/em> where Yuki Mori appears in plain clothes, international fashion designer Yukiko Hanai was appointed. Character designers often design costumes, but it is said that she was hired because the producer said, \u201cThe male staff doesn\u2019t know about women\u2019s clothing.\u201d<\/p>\n<p>In addition to the above-mentioned staff members, <em>Yamato<\/em>\u2019s voice cast is also luxurious. Most members of the main cast are now well-known anime voice actors, such as Masato Ibu (now known as Masato Itake) as Dessler, leader of the Gamilas Empire throughout the series. He actually played two roles, also voicing the commander of the Earth Defense Forces.<\/p>\n<p><em>Be Forever Yamato<\/em> featured Nachi Nozawa [as Alphon], famous for being a radio DJ and dubbing the voice of French actor Alain Delon. Other actors from stage and screen were cast in <em>Final Yamato<\/em>, such as Tatsuya Nakadai [narrator], Reiko Tajima [Queen of Aquarius] and Masane Tsukayama [Lugal II].<\/p>\n<p><span class=\"image-left\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB09.JPG\" border=\"0\" \/><\/span><\/p>\n<h3>Part 3: A musical score called Roman! You can\u2019t talk about <em>Yamato<\/em> without talking about the music<\/h3>\n<p>One of the great attractions of the <em>Yamato<\/em> series is its music. The soundtracks of overseas movies often find their way onto the music charts, but we don\u2019t often hear about Japanese soundtracks even appearing in the top ten. It\u2019s not like <em>Godzilla<\/em> is the only music we hear in Japanese cinema. That\u2019s fine up to a point, but there is certainly a tendency for music to become secondary in Japan. But it was different with <em>Yamato<\/em>. From the production stage of the first TV series, music was created to suit each theme according to the producer\u2019s intentions. This commitment captured the hearts of many people, and Isao Sasaki\u2019s single for the <em>Yamato<\/em> theme became a hit record with 800,000 copies.<\/p>\n<p>The commitment to music on the production side can be seen by looking at the magnificent staff that was involved. As for the main staff, Hiroshi Miyagawa was the composer and Yu Aku wrote song lyrics. This composer had worked on everything from enka [folk ballads] to pop songs, and this songwriter had received numerous record awards. It can be said that together they made <em>Yamato<\/em> the type of work that you couldn\u2019t talk about without mentioning the music. As the series progressed, other famous staff members were added such as Composer Kentaro Haneda and Lyricist Yoko Yamaguchi.<\/p>\n<p><em>Yamato<\/em> was famous not only for its writing and composing, but also for the efforts that were put into the singing. In addition to Isao Sasaki, who had been appointed from the start, there were other amazing participants: Kenji Sawada, Akira Fuse, Hiromi Iwasaki, and Junko Yagami. But even more surprising was Chiyoko Shimakura, the grand empress of enka [folk ballads]. Throughout the <em>Yamato<\/em> series, it was said that the making of melodies proceeded with an emphasis on themes, which is why Chiyoko Shimakura was appointed. In <em>The New Voyage<\/em>, she performed <em>Sasha, My Love<\/em>, a song that expresses the thoughts of Starsha, who entrusted her child Sasha to her husband after being scattered into space alone. Science fiction and an enka singer may seem like a strange combination, but it mysteriously matches up when you see it.<\/p>\n<p>There were about 20 types of singles and LPs, which sold a total of more than 5.5 million copies. When taking this amazing number into account, it\u2019s hard to imagine that they were only collected by maniacs and otaku. It\u2019s much more logical to run with the idea that the commitment to integrate music with scenes led the audience to say, \u201cI want to listen to this music again and again.\u201d For example, if you listen to <em>Tara\u2019s Theme<\/em> from <em>Gone With the Wind<\/em>, it evokes the image of Scarlett O\u2019hara standing in a desolate field. Just by listening to the BGM, you can see the bold figure of <em>Yamato<\/em> floating in space. In other words, the romance of <em>Space Battleship Yamato<\/em> is very much alive in the music, and we are instinctively intoxicated by it.<\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB11.JPG\" border=\"0\" \/><\/p>\n<h3>Part 4: Various booms and cultures were born from the hit of <em>Yamato<\/em><\/h3>\n<p>Triggered by the <em>Space Battleship Yamato<\/em> boom, the words &#8220;TV manga&#8221; and &#8220;manga movie&#8221; were changed to &#8220;TV anime&#8221; and &#8220;theatrical anime.&#8221; With this as an example, <em>Yamato<\/em> was a pioneer of various things. A wide variety of trends and booms were born from <em>Yamato<\/em>, and new cultures were formed. Here we\u2019d like to take up some of these new cultures and trends.<\/p>\n<p><span class=\"textRed\">The arrival of the big anime boom<\/span><\/p>\n<p>Before <em>Yamato<\/em>, TV animation was thought of as \u201csomething children watch,\u201d but then we reached a time of great change. As mentioned above, anime was called &#8220;TV manga&#8221; until then, but with the advent of the first <em>Yamato<\/em> as something adults could enjoy, the word animation gained a citizenship equal to film. As more anime appeared on TV following the hit of <em>Yamato<\/em>, every TV station came to broadcast anime at golden time [the TV broadcast block just before prime time] as we entered the 80s.<\/p>\n<p><span class=\"textRed\">Improving the status of anime in theaters<\/span><\/p>\n<p>Overlapping with the mass production era of anime for TV, theatrical anime also increased after <em>Yamato<\/em>. Until then, Toei made theatrical animation for children, such as <em>Puss in Boots<\/em>. Mushi Productions made works for adults, such as <em>Cleopatra<\/em>. Both were focused on their target audience, so they could not become national hits. But even though <em>Yamato<\/em> was anime, it proved to be a national hit across age groups. After this, a lot of anime was produced for theaters, and status improved to the extent that anime became the equal of live-action Japanese films. Speaking of which, Hayao Miyazaki\u2019s successful anime films such as <em>Nausicaa<\/em> and <em>Totoro<\/em> may never have been born if not for the change brought by <em>Yamato<\/em>. By the way, the first anime movie to earn a cover story from the long-established <a href='https:\/\/www.ourstarblazers.com\/vault\/490'><em>Kinejun<\/em> movie magazine<\/a> was <em>Farewell to Yamato<\/em>. That issue recorded the highest number of copies sold.<\/p>\n<p><span class=\"textRed\">The phenomenon of lining up all night<\/span><\/p>\n<p>A group lined up all night when the popular new computer game <em>Dragonquest<\/em> was released\u2026many people should remember news reports like this. When was the trend born for \u201cstaying up all night in a vigil for something I like?\u201d It began the night before the first <em>Space Battleship Yamato<\/em> feature film was released [in 1977]. Back then, a theater\u2019s opening time was moved up to 6:00am for an all-nighter group of 500 people. Furthermore, when <em>Farewell<\/em> was released, over 1,000 fans lined up the night before, so a theater took the unusual measure of opening at 4:00am.<\/p>\n<p><span class=\"textRed\">The birth of fan clubs<\/span><\/p>\n<p>The <em>Yamato<\/em> boom gave birth to both anime fans and fan clubs. As explained in the previous paragraph, you could see from the \u201clining up\u201d phenomenon that people became enthusiastic about anime. This age group centered around mid-teens and college students. These days we hear, \u201cAsk high school students for their impressions in order to make something a hit\u201d or \u201cNothing is more effective than advertising to teenagers,\u201d so the power of this age group is amazing. <em>Yamato<\/em> was what triggered them to start <em>Yamato<\/em> fan clubs and anime fan clubs large and small (all anime, specific works or characters, voice actors, etc.) with great speed all over Japan. Because <em>Yamato<\/em>\u2019s producer Yoshinobu Nishizaki was someone who listened to the voice of the fans (until then, anime producers seemed to be unaware of them) the movement grew stronger and resulted in <em>Yamato<\/em> becoming a hit.<\/p>\n<p>Thanks to the presence of these fans, anime magazines such as Tokuma Shoten\u2019s <em>Animage<\/em> were launched. In addition, original newsletters and fanzines were created by fans themselves. This trend later led to the founding of Comiket and the building of a huge culture. More than calling them anime fans, this came to be called an anime mania, and some are referred to as anime otaku.<\/p>\n<p><span class=\"textRed\">The hit of spinoff products<\/span><\/p>\n<p>Popular anime such as <em>Crayon Shinchan<\/em> and <em>Sailor Moon<\/em> now lead to popular anime goods. Sponsors make decisions with product sales like this in mind, which obviously leads to the decisions to produce and broadcast anime. <em>Space Battleship Yamato<\/em> was also the beginning of this trend. The total number of <em>Yamato<\/em> products and books (including deluxe books) is approximately 800. This kind of purchasing power is derived from a hit anime, which was unimaginable 20 years ago. Among other related products, a boom in model kits for battleships and fighter planes followed the popularity of <em>Yamato<\/em> and its aircraft, leading to big sales of such model kits as the Battleship <em>Yamato<\/em>, Battleship <em>Musashi<\/em>, and Zero fighter.<\/p>\n<p><span class=\"textRed\">Anime runs overseas<\/span><\/p>\n<p>A big Japanese animation boom is currently happening in America. Various anime works have been imported overseas, and have captured the hearts of children and anime fans from other countries. In the case of <em>Yamato<\/em>, the first feature film was actually made for overseas audiences [in 1976], and it is said that production of a Japanese version resulted from the voice of the Japanese fans who wanted to see it. It was titled <a href='https:\/\/www.ourstarblazers.com\/vault\/236'><em>Space Cruiser<\/em><\/a> in America. In Hong Kong, it was titled <em>Strange Sky Ship<\/em>. In Taiwan, it was simply titled <em>Space Battleship<\/em>. The pirated manga even became a hit, especially in Southeast Asia.<\/p>\n<p><span class=\"textRed\">A view of SF beyond the limits of anime<\/span><\/p>\n<p>Until <em>Yamato<\/em> was aired on TV, <em>Mazinger Z<\/em> was considered the mainstream of science-fiction anime. Tatsunoko\u2019s <em>Gatchaman<\/em> was the real top SF of the time. However, <em>Yamato<\/em>\u2019s production staff showed their commitment to SF and greatly shifted the idea of what constituted real SF in anime.<\/p>\n<p>Before then, the mainstream image of space battles included streamlined UFOs, but when there\u2019s a war you need an aircraft carrier, and you also need a feeling of what\u2019s up and down in the weightlessness of space. <em>Yamato<\/em> clearly showed details in that area and went beyond the limits of anime simply because of that. <em>Yamato<\/em> was widely accepted by SF fans. Also, methods for traveling in space had been expressed by various names until then, but with the appearance of <em>Yamato<\/em> it settled on the term \u201cwarp.\u201d<\/p>\n<hr \/>\n<div class='clear'>\n<p><span class=\"image-right\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/jul19\/403a07.JPG\" border=\"0\" \/><br \/>\n<em>LB Nakasu Communication, August 1994 issue<\/em><\/span><\/p>\n<h3><em>Yamato<\/em> chronology and records<\/h3>\n<p><span class=\"textBlue\">1974<\/span><\/p>\n<p>TV broadcast starts, 26 episodes. Average audience rating 6%<\/p>\n<p><span class=\"textBlue\">1977<\/span><\/p>\n<p>The third rerun leads to an enthusiastic boom.<\/p>\n<p>Theatrical version released, fans line up all night for the premiere. More than 500 people lined up in the middle of the night. Theaters rushed to open at 6am. There were 2.3 million viewers.<\/p>\n<p>Fan club formed. In addition to the headquarters, 823 organizations existed.<\/p>\n<p>Live drama on-air on All Night Nippon. A rare rebroadcast followed.<\/p>\n<p>Music popularity also ripens. Total LP sales exceed 800,000.<\/p>\n<p><span class=\"textBlue\">1978<\/span><\/p>\n<p>A rerun starts after the production announcement for <em>Farewell<\/em>. Average audience rating 13.8%.<\/p>\n<p><em>Space Battleship Yamato<\/em> movie is broadcast on CX. Average audience rating 31.9%, peak rating 35.6%.<\/p>\n<p><em>Farewell<\/em> is released. Long lines at all theaters before dawn. Lines of nearly 1,000 people. An anime movie becomes a long-run hit, playing from August 5 to October 27. Box office revenue of 4.3 billion yen. Advance ticket sales total half a million. 4 million viewers. Fan club membership reaches 16,244 members.<\/p>\n<p>TV series <em>Yamato 2<\/em> broadcast starts, 26 episodes. Audience rating tops 20%, peaks at 27.9%. Average rating 22.9%.<\/p>\n<p><span class=\"textBlue\">1979<\/span><\/p>\n<p>TV feature <em>The New Voyage<\/em> is broadcast. Audience rating 30.6%.<\/p>\n<p><span class=\"textBlue\">1980<\/span><\/p>\n<p>Calferry holds a big event for 3 days and 2 nights [promotional sea cruise]. 33,000 applications are received. 14,000 people form a 2km line for the ticket lottery.<\/p>\n<p><em>Be Forever Yamato<\/em> is released August 2. 2.3 million viewers. Distribution income reaches 1.35 billion yen by the end of September.<\/p>\n<p>TV series <em>Yamato III<\/em> starts, 25 episodes. Average audience rating 15.4%.<\/p>\n<p><span class=\"textBlue\">1981<\/span><\/p>\n<p><em>Space Roadshow<\/em> double feature opens [first two films]. 1.5 million viewers.<\/p>\n<p><span class=\"textBlue\">1983<\/span><\/p>\n<p><em>Final Yamato<\/em> premieres in March. 1.6 million viewers.<\/p>\n<hr \/>\n<div class='clear'>\n<h3>Footnotes: Communications from &#8220;Dr. <em>Yamato<\/em>&#8220;<\/h3>\n<div style='width:390px; margin-right: 0px; float: left'>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB01.JPG\" border=\"0\" \/><\/p>\n<p><em>Yamato<\/em> comedy scene 1<\/p>\n<p>In a strategy meeting of Gamilas officers in Part 1, a certain officer jokes, \u201cI like the president, too!\u201d Dessler gets angry at this, says \u201cGamilas has no need of vulgar men,\u201d and puts him to death. That\u2019s harsh.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB02.JPG\" border=\"0\" \/><\/p>\n<p><em>Yamato<\/em> comedy scene 2<\/p>\n<p>In <em>The New Voyage<\/em>, Kitano and Sakamoto board <em>Yamato<\/em> for the first time, both full of confidence. To punish them, Deputy Captain Susumu Kodai orders them to both run around the ship in their underpants.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<div style='width:390px; margin-right: 0px; float: left'>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB03.JPG\" border=\"0\" \/><\/p>\n<p><em>Yamato<\/em> comedy scene 3<\/p>\n<p><em>Yamato<\/em> is a self-sufficient ship with a \u201c<em>Yamato<\/em> farm\u201d supervised by Yuki Mori, head of the life support group. In the TV series <em>Yamato 2<\/em>, soldiers in Hajime Saito\u2019s infantry devour the farm\u2019s tomatoes and get a good tongue-lashing from Yuki!<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB04.JPG\" border=\"0\" \/><\/p>\n<p><em>Yamato<\/em> comedy scene 4<\/p>\n<p>In the first series, there is a scene where <em>Yamato<\/em>\u2019s crew communicates with their families on Earth. Yuki Mori\u2019s parents try to arrange a marriage for their daughter, and when they see Engineer Tokugawa at Yuki\u2019s side, they splutter, \u201cIs that old man your lover?\u201d<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/sep19\/LB05.JPG\" border=\"0\" \/><\/p>\n<p>There was no kissing scene until <em>Final Yamato<\/em>, which contained a bed scene with Kodai and Yuki. (Cut from the TV broadcast!) According to production materials, it was all related to virginity and seems to have centered around that.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,18],"tags":[],"class_list":["post-27304","post","type-post","status-publish","format-standard","hentry","category-1984-present-legacy-years","category-articles-1984-now"],"_links":{"self":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/27304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/comments?post=27304"}],"version-history":[{"count":3,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/27304\/revisions"}],"predecessor-version":[{"id":27414,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/27304\/revisions\/27414"}],"wp:attachment":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/media?parent=27304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/categories?post=27304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/tags?post=27304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}