{"id":19962,"date":"2014-10-12T22:28:18","date_gmt":"2014-10-13T05:28:18","guid":{"rendered":"https:\/\/www.ourstarblazers.com\/vault\/?p=19962"},"modified":"2025-09-11T11:33:27","modified_gmt":"2025-09-11T18:33:27","slug":"059a","status":"publish","type":"post","link":"https:\/\/www.ourstarblazers.com\/vault\/059a\/","title":{"rendered":"Legacy Years Bibliography, Part 6"},"content":{"rendered":"<p><!--more--><\/p>\n<h2>General Interest Books with <em>Yamato<\/em> content<\/h2>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/jun09\/BL01b.JPG\" border=0 \/><\/p>\n<h3><em>The Art of Japanese Animation<\/em> Vol. I and II<\/h3>\n<p><em>25 Years of Television Cartoons: 192 pages, Tokuma Shoten, December 1988<br \/>\n70 Years of Theatrical Films: 168 pages, Tokuma Shoten, January 1989<\/em><\/p>\n<p>This two-volume set is indispensable for any serious fan of Japanese animation, collecting every single production in both formats into a concise, comprehensive index. Naturally, they include the entire <em>Yamato<\/em> catalog. OAVs (Original Anime Videos) were still relatively new when these were published, so there is no corresponding volume for them. <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/jun09\/BL01a.JPG\" border=0 \/><\/p>\n<h3><em>Studio Nue Mechanic Design<\/em> Books<\/h3>\n<p><em>Bandai Entertainment Bibles 6 &#038; 9<br \/>\n194 pages each, Bandai, Oct. 1989 &#038; March 1990<\/em><\/p>\n<p>Following the successful 1985 launch of <em>B-Club<\/em> magazine, Bandai started another publication called the &#8220;Entertainment Bible&#8221; series which dedicated each volume to a specific topic. These books ranged across anime and live action and packed an incredible amount of art and data into a small package. <\/p>\n<p>These two volumes compiled works by the famous Studio Nue, who participated in early <em>Yamato<\/em> mecha design and moved on to many other well-known titles. The first volume contains robots, air &#038; ground craft, and special illustrations. The second is filled with spaceships. There have been other books published about Studio Nue, but these are the only ones with <em>Yamato<\/em> content. <\/p>\n<p>Read an interview with Nue designer Kazutaka Miyatake <a href='https:\/\/www.ourstarblazers.com\/vault\/341'>here<\/a>.<\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b601.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Suddenly the Last Inning<\/em><\/h3>\n<p><em>The Last Scenes of Manga Masterpieces Vol. 4<\/em><\/p>\n<p><em>221 pages, JICC Publishing, Feb. 1992<\/em><\/p>\n<p>This is part of a 6-volume retrospective on famous manga with a special focus on their climactic endings. Volume 4 covers the first <em>Yamato<\/em> manga by Leiji Matsumoto.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>Gojira, Yamato, and our Democracy<\/em><\/h3>\n<p><em>by Kenji sato (hardcover)<br \/>\n312 pages, Bungei Shunju, Oct. 1992<\/em><\/p>\n<p>This was the first book to analyze <em>Yamato<\/em> (and other Japanese entertainment) from a sociological standpoint. The first chapter was titled <em>Yamato and Nationalism<\/em>. Also explored were <em>Nausicaa, Gojira [Godzilla], Ultraman<\/em>, and others. Primarily text with minimal black &#038; white images.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b602.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>SF Anime Astronomy<\/em><\/h3>\n<p><em>154 pages, Japan Critique Co., Dec. 1993<\/em><\/p>\n<p>Science fiction anime has visualized an enormous amount of astronomical phenomenae over the decades, and this book by Jun Fukue separated fact from fiction using various anime as examples to investigate the realities of space and space travel. Alongside worthy candidates such as <em>Gundam<\/em> and <em>Gunbuster, Yamato<\/em> got a chapter to itself which was chiefly concerned with travel across huge distances.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>Comix Climax<\/em> Super Anthology<\/h3>\n<p><em>274 pages, Take Shobo, Feb. 1996<\/em><\/p>\n<p>Similar in concept to <em>Suddenly the Last Inning<\/em>, this is a collection of significant chapters from various manga series, presented with overviews and commentary. The Warp\/Wave-Motion Gun chapter of Leiji Matsumoto\u2019s <em>Yamato<\/em> manga was included.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b603.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Introductory studies of the history of Japanese Anime<\/em><\/h3>\n<p><em>208 pages, Yahata shoten, Feb. 1998<\/em><\/p>\n<p>Mostly text with occasional stills, this book encapsulates forty years of anime history from its mainstream beginnings in 1958 up to the publication date of 1998. Of course, <em>Yamato<\/em> is mentioned prominently.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>How to Operate Super Mecha<\/em><\/h3>\n<p><em>224 pages, Guache, April 1998<\/em><\/p>\n<p>This unusual book examined the mecha of SF and fantasy from around the world, speculating on exactly how it works and the ramifications of its technology. Chapter 1 was devoted to <em>Yamato<\/em> with others exploring the <em>Enterprise,<\/em> the <em>Mach 5,<\/em> spacecraft from <em>Star Wars,<\/em> and many more.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b604.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Illustrated TV Anime Complete Works<\/em><\/h3>\n<p><em>409 pages, Hara Shobo, June 1999<\/em><\/p>\n<p>Another book examining the history and techniques of producing anime for the large and small screens. It included a detailed interview with <em>Yamato<\/em> director Noboru Ishiguro. Read about it <a href='https:\/\/www.ourstarblazers.com\/vault\/87'>here<\/a>.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>The Hot Feelings Once Again<\/em><\/h3>\n<p><em>Keisuke Fujikawa Masterpiece TV Scripts Collection<\/em><\/p>\n<p><em>244 pages, Fujin Co., March 1999<\/em><\/p>\n<p>This was a collection of scripts from classic episodes of various anime TV series, all written by Keisuke Fujikawa. Episodes 2 and 26 of the first <em>Yamato<\/em> series were included, along with such titles as <em>Mazinger Z, UFO Robo Grandaizer<\/em>, and <em>Galaxy Express 999<\/em>. Mostly text with minimal black &#038; white stills.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b605.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>This is Manga!<\/em><\/h3>\n<p><em>240 pages, Media Factory, Nov. 1999<\/em><\/p>\n<p>A retrospective of classic manga, this book was the first to reprint a little-known picture story Leiji Matsumoto illustrated for Shogakukan&#8217;s <em>5th Grader<\/em> magazine while the first <em>Yamato<\/em> TV series was on the air. <\/p>\n<p>Read all about it <a href='https:\/\/www.ourstarblazers.com\/vault\/318'>here.<\/a><\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>Super Mecha Illustration<\/em><\/h3>\n<p><em>126 pages, Graphic Co., Oct. 2000<\/em><\/p>\n<p>This art book showcased the work of a popular studio run by painter Koizumi Kazuaki, a former assistant to Leiji Matsumoto. He now specializes in high-end mecha illustration for posters and product packaging. 8 pages were dedicated to Matsumoto spaceships, and Koizumi wrote with special pride about his rendering of <em>Yamato,<\/em> which was used on several contemporary products.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/dream.JPG\" border=\"0\" \/><\/p>\n<h3>Fantasy Science Guides<\/h3>\n<p><em>Various volumes, Media Factory, 2002-present<\/em><\/p>\n<p>Since 2002, Media Factory has periodically published continuing volumes of this paperback series with the laudable mission of applying real science to works of Japanese SF (anime and live-action) and examine how real physics stack up to those of fantasy. The author is Rikao Yanagida, who founded the Institute of Fantasy Science, also known as &#8220;Kusolab.&#8221;<\/p>\n<p>Several of these volumes include chapters on <em>Yamato<\/em>, at least one of which made it into an Italian edition titled <em>Anime University<\/em>. See cartoon samples from it <a href='https:\/\/www.ourstarblazers.com\/vault\/itcartoon'>here<\/a>. <\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b606.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Anime Generation<\/em><\/h3>\n<p><em>Study of Anime Culture from Yamato to Gundam<\/em><\/p>\n<p><em>by Inoue Sizuka<br \/>\n240 pages, Shakai Hihyo Co., Jan. 2004<\/em><\/p>\n<p>This was a revised and updated edition of Sizuka&#8217;s 1997 book <em>The Time and Ideology of Space Battleship Yamato<\/em> with more attention given to other SF titles from <em>Yamato<\/em>&#8216;s production years. As before, it was all text with no pictures.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>The World of Anime Novelize<\/em><\/h3>\n<p><em>224 pages, Yosen Co., July 2006<\/em><\/p>\n<p>For obvious reasons having to do with the language barrier, Japanese novels are rarely translated into English, and as this book indicated, the number of novelizations based on anime productions is vast and widespread. The writers examined hundreds of them in detail, offering noteworthy trivia and reviews. <\/p>\n<p>A handful of <em>Yamato<\/em> novels was discussed, including the <a href='https:\/\/www.ourstarblazers.com\/vault\/216'>earliest edition of series 1<\/a>, the <a href='https:\/\/www.ourstarblazers.com\/vault\/216'>&#8220;Hot Blood&#8221; novelization<\/a>, and <a href='https:\/\/www.ourstarblazers.com\/vault\/222'><em>Animage<\/em>&#8216;s version of <em>Final Yamato<\/em><\/a>. (Click on each link for translations.)<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b607.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Toshihiro Kawamoto Artworks<\/em><br \/>\n<em>The Illusives<\/em> Vol. II<\/h3>\n<p><em>152 pages, Softbank Creative, Sept. 2006<\/em><\/p>\n<p>Kawamoto is one of those anime designers with such a long resume that it&#8217;s practically guaranteed that you&#8217;ve seen his work on a poster, book cover, or video jacket. Best known as the character designer for <em>Gundam 0083<\/em> and <em>Cowboy Bebop<\/em>, he is also the unsung hero who modernized the Leiji Matsumoto aesthetic for such projects as <em>The Cockpit<\/em> [1994]. This book (part of a 2-volume set) brought all his major works together, including his Matsumoto-esque artwork for the 1998 <em>Yamato<\/em> video releases. Highly recommended.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>It&#8217;s Wonderful to be Young<\/em><\/h3>\n<p><em>by Hiroshi Miyagawa<br \/>\n256 pages, Sankei Shimbun, March 2007<\/em><\/p>\n<p>This was composer Hiroshi Miyagawa&#8217;s autobiography, a highly entertaining set of essays that covered his entire career. <\/p>\n<p>Read the <em>Yamato<\/em> segments <a href='https:\/\/www.ourstarblazers.com\/vault\/255'>here.<\/a><\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b608.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Bandai Character Plastic Model Chronicle<\/em><\/h3>\n<p><em>by Satoshi Kato &#038; Hideki Kakinuma<br \/>\n178 pages, Gakken, April 2007<\/em><\/p>\n<p>This book tracked the amazing history of Bandai&#8217;s rise from obscurity into the world&#8217;s leading manufacturer of plastic models. <em>Yamato<\/em> kits played a major role in Bandai&#8217;s advancement during the 70s, positioning them to take full advantage of the anime explosion of the 80s. <\/p>\n<p>Read the <em>Yamato<\/em> chapter <a href='https:\/\/www.ourstarblazers.com\/vault\/167'>here<\/a>.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>Shigeru Komatsuzaki<\/em><br \/>\n<em>Bandai Box Art Collection<\/em><\/h3>\n<p><em>120 pages, Toys&#8217; Works, Nov. 2008<\/em><\/p>\n<p>Shigeru Komatsuzaki&#8217;s name is commonly offered by other accomplished artists (including Leiji Matsumoto himself) when asked for their favorite influences. His dynamic action paintings graced many a book cover until the early 1970s when he became the go-to artist for an up-and-coming plastic modelmaker named Bandai. His box art sold kits as briskly as his cover art previously sold books and magazines, including that of the earliest <em>Yamato<\/em> models from 1974. <\/p>\n<p>In recognition of his genius, a division of Gakken Publishing Co. named Toy&#8217;s Works curated an exhibition of Komatsuzaki&#8217;s paintings in early 2008, then followed up with this book, which was packed from cover to cover with high-octane imagery that inspired generations of Japanese boys. Highly recommended.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b609.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Prohibited Broadcast Works<\/em><\/h3>\n<p><em>242 pages, Sansai Books, June 2011<\/em><\/p>\n<p>An examination (mostly text) of controversial images and media topics, including photos from the 3\/11 Tohoku earthquake. A chapter on Anime and Tokusatsu includes a rundown of <em>Yamato<\/em>&#8216;s history with a focus on the conflicts that arose from 1983 onward. Mostly text, for completists only.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>The Complete Secret Encyclopedia DX<\/em><\/h3>\n<p><em>True Secrets of Movies\/Live-Action &#038; Manga\/Anime &#038; Tokusatsu<\/em><\/p>\n<p><em>Core Comics #265<br \/>\n394 pages, Core Magazine, November 2011<\/em><\/p>\n<p>A highly sensationalized compendium of gossip and scandal from the many worlds of pop culture. A <em>Yamato<\/em> chapter breezes through the basic politics of the franchise, accompanied by a lurid 12-page manga depicting the business dealings of Yoshinobu Nishizaki.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/oct15\/b610.JPG\" border=\"0\" \/><\/p>\n<div style='width:390px; margin-right: 0px; float: left'>\n<h3><em>Laws of Anime Hit Movies<\/em><\/h3>\n<p><em>256 pages, Knowledge Fore, November 2012<\/em><\/p>\n<p>Film journalist Morihiko Saitoh wrote this detailed look at the business and marketing of anime feature films, with a chapter devoted to the pivotal 1977 <em>Space Battleship Yamato<\/em> movie.<\/p>\n<p>Read it <a href='https:\/\/www.ourstarblazers.com\/vault\/369a'>here<\/a>.<\/p>\n<\/div>\n<div style='width:390px; margin-right: 0px; float: right'>\n<h3><em>Captain Legend: A Book for the Space Age<\/em><\/h3>\n<p><em>184 pages, Ichijinsa Publishing, January 2013<\/em><\/p>\n<p>Written by Keisuke Hirota, this intriguing paperback brings together the words and comportment of characters from <em>Yamato, Gundam, Macross<\/em> and other titles &#8211; a total of 24 anime captains &#8211; for the purposes of inspiration. The book is mostly text and lightly illustrated. The <em>Yamato<\/em> captains are Okita, Hijikata, the <em>Andromeda<\/em> captain from <em>Farewell to Yamato<\/em>, both Kodai brothers, and Yamanami.<\/p>\n<\/div>\n<div style='clear:both' \/>\n<p><a href='https:\/\/www.ourstarblazers.com\/vault\/060a'>Continue to Bibliography Part 7: Magazines<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-19962","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/19962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/comments?post=19962"}],"version-history":[{"count":12,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/19962\/revisions"}],"predecessor-version":[{"id":41811,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/19962\/revisions\/41811"}],"wp:attachment":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/media?parent=19962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/categories?post=19962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/tags?post=19962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}