{"id":14939,"date":"2014-06-05T05:16:45","date_gmt":"2014-06-05T05:16:45","guid":{"rendered":"https:\/\/www.ourstarblazers.com\/vault\/?p=14939"},"modified":"2019-04-24T12:50:27","modified_gmt":"2019-04-24T19:50:27","slug":"876","status":"publish","type":"post","link":"https:\/\/www.ourstarblazers.com\/vault\/876\/","title":{"rendered":"<em>Final Yamato<\/em> Music Index"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-880 alt=\"1406icon\" src=\"https:\/\/www.ourstarblazers.com\/vault\/wp-content\/uploads\/1406icon.jpg\" width=\"216\" height=\"90\" \/><\/p>\n<p class=\"cosmo-teaser\">With so many <em>Final Yamato<\/em> albums in the mix, creating a definitive track listing is a very complex task. With over 60 individual tracks to deal with, sorting them out is a major undertaking. But, with all the necessary puzzle pieces in one place, the <em>Final Yamato<\/em> music mountain can be conquered.<\/p>\n<div style=\"clear: both;\"><\/div>\n<p><!--more--><!--noteaser--><\/p>\n<p><span class=\"image-right\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/jun14\/87601.JPG\" border=\"0\" \/><\/span><\/p>\n<p>With so many <em>Final Yamato<\/em> albums in the mix, creating a definitive track listing is a very complex task owing to the jumble of symphonic and BGM tracks scattered across multiple sources that only partially overlap. In some cases, tracks have the same name but different run times &#8211; or different names but the same content. In other cases, BGM tracks were combined with symphonic tracks, jumping back and forth to create different narrative experiences. And with over 60 individual tracks to deal with, sorting them out is a major undertaking.<\/p>\n<p>In order to create a comprehensive index of this enormous body of music, two things are essential: iTunes and an invaluable Japanese doujinshi published in 2011 called the <em>Space Battleship Yamato BGM Encyclopedia<\/em> (shown at right). In it, superfan Hiroshi Mizo covers the entire saga and organizes the music from the highest possible vantage point, session lists from the studio recordings. So, with all the necessary puzzle pieces finally in one place, the <em>Final Yamato<\/em> music mountain can be conquered.<\/p>\n<p>It&#8217;s necessary to choose an overall spine of reference, so we&#8217;ll go by film order. (As you will see, however, plenty of tracks didn&#8217;t get used in the film at all.) Each track title is followed by information about where to find it on specific albums, and which variations relate to it.<\/p>\n<h3>Album codes:<\/h3>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/jun14\/87603.JPG\" border=\"0\" \/><\/p>\n<p>TA1 = Tokuma\/Animage Theme Music Collection I (Tokuma, 1983)<br \/>\nTA2 = Tokuma\/Animage Theme Music Collection II (Tokuma, 1983)<br \/>\nBGM = Original BGM Collection (Columbia, 1995)<br \/>\nEE = Eternal Edition Disc 9 (Columbia, 2000)<\/p>\n<p align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.ourstarblazers.com\/vault-images\/jun14\/87602.JPG\" border=\"0\" \/><\/p>\n<p>MC1 = Music Collection Part 1 (Columbia, 1983) <em>Yamato<\/em> Sound Almanac edition, 2014<br \/>\nMC2 = Music Collection Part 2 (Columbia, 1983) <em>Yamato<\/em> Sound Almanac edition, 2014<br \/>\nMC3 = Music Collection Part 3 (Columbia, 1983) <em>Yamato<\/em> Sound Almanac edition, 2014<br \/>\nYSA BGM = <em><em>Yamato<\/em><\/em> Sound Almanac, <em>Final <em>Yamato<\/em><\/em> BGM Collection (Columbia, 2014)<\/p>\n<hr \/>\n<div class='clear'>\n<h2><span class=\"textRed\">Music Heard in the Film (and Variations)<\/span><\/h2>\n<p><span class=\"textBlue\">Music from previous <em>Yamato<\/em> productions is indicated in blue.<\/span><br \/>\n<span class=\"textLtYellow\">Tracks that repeat in the score are indicated in yellow.<\/span><\/p>\n<h3>1. \u30a2\u30af\u30a8\u30ea\u30a2\u30b945\u5104\u5e74 [Aquarius 4.5 Billion Years]<\/h3>\n<p>The film prologue opens with a combined version of two variants, starting with A and shifting to B for the scat vocals. This covers the formation of the solar system and finishes with the title of the film.<\/p>\n<ul>Version A (includes opening heard in film)<br \/>\nMC1 track 2 (6:05)<\/p>\n<p>Version B (includes scat)<br \/>\nTA1 track 7 (4:45)<br \/>\nEE track 21 (4:44)<br \/>\nYSA BGM track 28 (4:45)<\/ul>\n<h3>2. \u4e8c\u3064\u306e\u9280\u6cb3 [Two Galaxies]<\/h3>\n<p>Heard during the opening credit sequence. The film version is recorded at a quicker tempo.<\/p>\n<ul>Film version<br \/>\nBGM track 1 (1:22)<br \/>\nYSA BGM track 1 (1:23)<\/p>\n<p>Symphonic version<br \/>\nMC2 track 1 (4:16)<br \/>\nTA2 track 1 (4:17)<\/p>\n<p>Alternate version (edited)<br \/>\nEE (3:24) track 1<\/ul>\n<h3>3. \u30c7\u30a3\u30f3\u30ae\u30eb\u661f\u306e\u6c34\u6ca1 [Flooding of Planet Dengil]<\/h3>\n<p><em>Yamato<\/em> appears, navigating through asteroid swarm. The opening fades after about a minute. Dessler&#8217;s requiem is heard from <em>Farewell to Yamato<\/em> during the scene on Planet Galman, then this track restarts when Planet Dengil is deluged by Aquarius. It fades again, then resumes for the rescue attempt at Dengil. There are several variations of this track, the longer of which include a piano concerto not heard in the film.<\/p>\n<ul>Film version<br \/>\nEE track 2 (2:08) \u6c34\u6ca1\u3059\u308b\u30c7\u30a3\u30f3\u30ae\u30eb\u661f [Planet Dengil is Flooded]\n<p>YSA BGM track 2 (2:53) \u30c7\u30a3\u30f3\u30ae\u30eb\u661f\u306e\u6c34\u6ca1 [Flooding of Planet Dengil]<\/br><\/p>\n<p>Symphonic version &#8211; includes piano concerto<br \/>\nMC2 track 2 (6:25) \u6c34\u6ca1\u3059\u308b\u30c7\u30a3\u30f3\u30ae\u30eb\u661f [Planet Dengil is Flooded]\n<p>TA2 track 2 (6:26) \u6c34\u6ca1\u3059\u308b\u30c7\u30a3\u30f3\u30ae\u30eb\u661f [Planet Dengil is Flooded]<\/br><\/p>\n<p>Extended symphonic version &#8211; includes piano concerto<br \/>\nBGM track 2 (7:58) \u7d44\u66f2\u30c7\u30a3\u30f3\u30ae\u30eb\u661f\u306e\u6c34\u6ca1 [Flooding of Planet Dengil Suite]\n<p>Piano concerto only<br \/>\nMC3 track 7 (5:10) \u30c7\u30a3\u30f3\u30ae\u30eb\u661f\u306e\u6c34\u6ca1 [Flooding of Planet Dengil]<\/ul>\n<h3>4. \u79fb\u52d5\u8981\u585e\u306e\u30b3\u30fc\u30c9(TYPE A) [Chord of the Mobile Fortress (type A)]<\/h3>\n<p>Lugal De Zahl&#8217;s ship appears. This is a variant of a longer piece titled <em>Mobile Fortress<\/em>, which is not heard in the film (more information below).<\/p>\n<ul>YSA BGM track 3 (:18)<br \/>\nAlso found on BGM track 21 (1:39) \u30b3\u30fc\u30c9\u5404\u7a2e [Various Chords], third cue<\/ul>\n<h3>5. \u30cf\u30a4\u30d1\u30fc\u653e\u5c04\u30df\u30b5\u30a4\u30eb [Hyper Radiation Missile]<\/h3>\n<p>Lugal De Zahl attacks and disables <em>Yamato<\/em><\/p>\n<ul>MC2 track 4 (1:55)<br \/>\nBGM track 18 (1:52)<br \/>\nEE track 8 (1:53)<br \/>\nYSA BGM track 4 (1:54)<\/p>\n<p>&#8220;Stinger&#8221; variant, not heard in the film<br \/>\nYSA BGM track 30 (:14) \u30cf\u30a4\u30d1\u30fc\u653e\u5c04\u30df\u30b5\u30a4\u30eb\u306e\u30b3\u30fc\u30c9 [Hyper Radiation Missile Chord]<\/ul>\n<p><span class=\"textBlue\"><em>The Universe Spreading Into Infinity<\/em> (from Symphonic Suite <em>Yamato<\/em>) is heard as <em>Yamato<\/em> plunges out of control, then recovers by auto-pilot.<\/span><\/p>\n<h3>6. \u30a6\u30eb\u30af\u306e\u6b74\u53f2 [History of Uruk]<\/h3>\n<p>City Satellite Uruk makes its first appearance and Lugal outlines the plan to attack Earth.<\/p>\n<ul>Film version<br \/>\nTA1 track 2 (3:39)<br \/>\nEE track 4 (3:37)<br \/>\nYSA BGM track 5 (3:37)<\/p>\n<p>Symphonic version<br \/>\nMC1 track 6 (4:13)<\/ul>\n<h3>7. \u5909\u5316\u3059\u308b\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Aquarius Changes]<\/h3>\n<p>Uruk warps Planet Aquarius<\/p>\n<ul>YSA BGM track 6 (1:03)<br \/>\nAlso found on BGM track 21 (1:39) \u30b3\u30fc\u30c9\u5404\u7a2e [Various Chords], fourth cue<\/ul>\n<h3>8. The Legend of Aquarius<\/h3>\n<p>Dr. Sado explains the myth of Aquarius. This is an excerpt from a track that first appeared on <em>Prelude to Final Yamato<\/em> titled<br \/>\u6c34\u306e\u60d1\u661f\u30a2\u30af\u30a8\u30ea\u30a2\u30b9\u3068\u30af\u30a4\u30fc\u30f3\u30fb\u30aa\u30d6\u30fb\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Water Planet Aquarius and Queen of Aquarius].<\/p>\n<ul>BGM track 3 (9:36)<\/ul>\n<p><span class=\"textBlue\"><em>Yamato Meditation ~ Great Love<\/em> from <em>The New Voyage<\/em> (YSA <em>New Voyage<\/em> BGM, track 1) is heard as <em>Yamato<\/em> descends to Earth.<\/span>\t<\/p>\n<h3>9. \u30e6\u30ad\u306e\u60b2\u3057\u307f [Sorrow of Yuki]<\/h3>\n<p>Yuki enters <em>Yamato<\/em>&#8216;s bridge to find Kodai on the edge of death. The evacuation from Earth begins. The portions heard in the film are excerpted from a longer composition.<\/p>\n<ul>Excerpt for bridge scene<br \/>\nYSA BGM track 7 (:48) title: \u53e4\u4ee3\u306e\u6b7b [Death of Kodai]\n<p>Full version<br \/>\nBGM track 5 (2:22)<\/p>\n<p>Symphonic version (Alternate title: \u96ea\u306e\u60b2\u3057\u307f)<br \/>\nTA1 track 5 (5:00)<br \/>\nYSA BGM track 8 (4:58) <\/p>\n<p>Alternate version (not heard in the film)<br \/>\nEE track 5 (2:20)<\/ul>\n<h3>10. \u53e4\u4ee3\u541b\u3088\u304b\u3063\u305f [Good, Kodai-kun]<\/h3>\n<p>Kodai recovers in the EDF hospital. This is a variation of \u30e6\u30ad\u306e\u30c6\u30fc\u30de [Theme of Yuki], which was not used in the film. (More information below)<\/p>\n<ul>Film version<br \/>\nBGM track 6 (1:05)<br \/>\nYSA BGM track 9 (1:05)<\/p>\n<p>Symphonic version<br \/>\nMC1 track 13 (4:44)<br \/>\nTA2 track 6 (4:45)<\/ul>\n<h3>11. \u5927\u30c7\u30a3\u30f3\u30ae\u30eb\u5e1d\u56fd\u661f [Great Dengil Empire]<\/h3>\n<p>Dengil launches its attack on the solar system and the EDF responds. This track was originally released on the <em>Prelude to Final Yamato<\/em> album.<\/p>\n<ul>BGM track 17 (6:46)<\/ul>\n<p><span class=\"textLtYellow\">\u30cf\u30a4\u30d1\u30fc\u653e\u5c04\u30df\u30b5\u30a4\u30eb [Hyper Radiation Missile] Repeats as the EDF fleet is wiped out by Dengil&#8217;s missiles.<\/span><\/p>\n<h3>12. \u51a5\u738b\u661f\u6d77\u6226 [Naval Battle of Pluto]<\/h3>\n<p>Dengil&#8217;s attack on the solar system concludes with the defeat of Earth.<\/p>\n<ul>MC1 (4:03) track 7<br \/>\nEE (3:58) track 6<\/ul>\n<h3>Insert Song: \u53e4\u4ee3(\u304a\u308c)\u3068\u30e4\u30de\u30c8 [Kodai (I) and <em>Yamato<\/em>]<\/h3>\n<p><em>Alternate title: \u53e4\u4ee3\u3068\u30e4\u30de\u30c8 [Kodai and Yamato]<\/em><\/p>\n<p>Dispirited by Earth&#8217;s defeat, Kodai returns to <em>Yamato<\/em> to await orders from a new captain. Isao Sasaki sings this meditative song that explores the relationship between Kodai and <em>Yamato<\/em>. Find info and lyrics in the <em>Final Yamato<\/em> discography <a href='https:\/\/www.ourstarblazers.com\/vault\/248'>here<\/a>. A karaoke version (without vocals) can be found on MC3 (Sound Almanac edition), track 12. There are two symphonic versions of the song, neither of which was used in the film:<\/p>\n<ul>Version A (with violin solo)<br \/>\nMC3 track 3 (5:04)<\/p>\n<p>Version B (with guitar solo)<br \/>\nMC2 track 9 (3:13)<\/ul>\n<p><span class=\"textBlue\">The <em>Yamato<\/em> marching theme (excerpted from <em>Symphonic Suite<\/em>) is heard as the crew gathers to greet the new captain. Everyone is shocked to learn it is a revived Captain Okita.<\/span><\/p>\n<p><span class=\"textBlue\">Excerpts from <em>The Birth<\/em> (from <em>Symphonic Suite<\/em>) are heard as <em>Yamato<\/em> leaves the dock and launches.<\/span><\/p>\n<h3>13. \u3042\u3069\u3051\u306a\u3044\u30c7\u30a3\u30f3\u30ae\u30eb\u5c11\u5e74 [Innocent Dengil Boy]<\/h3>\n<p>After <em>Yamato<\/em> gets underway, the rescued Dengil boy interacts with Dr. Sado and Yuki. This is a variant of \u30c7\u30a3\u30f3\u30ae\u30eb\u5c11\u5e74\u306e\u30c6\u30fc\u30de [Theme of the Dengil Boy], which was not heard in the film.<\/p>\n<ul>BGM track 8 (:44)<br \/>\nYSA BGM track 10 (:47)<\/ul>\n<h3>14. FIGHT\u30b3\u30b9\u30e2\u30bf\u30a4\u30ac\u30fc\u2161 [Fight Cosmo Tiger II]<\/h3>\n<p><em>Yamato<\/em>&#8216;s squadron launches into battle against the Dengil fleet. It opens with a motif from the original Series 1 score.<\/p>\n<ul>TA2 track 8 (3:43)<br \/>\nEE track 15 (3:40)<br \/>\nYSA BGM track 11 (3:43)<\/ul>\n<h3>15. \u30eb\u30ac\u30fc\u30eb\u7dcf\u7d71\u306e\u6597\u3044 [Fight of Emperor Lugal]<\/h3>\n<p>Dengil forces engage <em>Yamato<\/em>&#8216;s squadron in a dogfight. The track used here is an excerpt from a longer one titled \u30eb\u30ac\u30fc\u30eb\u7dcf\u7d71\u306e\u6226\u4e89 [War of Emperor Lugal], which is heard later.<\/p>\n<ul>MC3 track 8 (2:31)<br \/>\nEE track 7 (2:24)<\/ul>\n<h3>16. \u60b2\u6134\u306e\u30dc\u30ec\u30ed [Grievous Bolero]<\/h3>\n<p>EDF forces recover from the first round of battle.<\/p>\n<ul>Film version<br \/>\nBGM track 19 (3:30)<br \/>\nEE track 9 (3:30)<br \/>\nYSA BGM track 12 (3:32)<\/p>\n<p>Symphonic version (with an added prelude)<br \/>\nMC2 track 16 (3:50)<br \/>\nTA2 track 12 (3:49)<\/ul>\n<h3>17. \u8972\u6483 [Attack]<\/h3>\n<p>The EDF rescue forces are ambushed and destroyed by Dengil fighters.<\/p>\n<ul>YSA BGM (:18) track 13<br \/>\nAlso found on BGM track 21 (1:39) \u30b3\u30fc\u30c9\u5404\u7a2e [Various Chords], second cue<\/ul>\n<h3>18. \u30a6\u30eb\u30af\u306e\u731b\u653b [Attack of Uruk]<\/h3>\n<p>Kodai and Yuki fly recon in the Cosmo Zero to locate the Dengil mothership.<\/p>\n<ul>TA2 track 4 (2:41)<br \/>\nYSA BGM track 14 (2:41)<\/ul>\n<p><span class=\"textBlue\"><em>Yamato Sleeps in the Setting Sun<\/em> from Series 1 is heard as <em>Yamato<\/em> strikes the killing blow against the Dengil fleet<\/span><\/p>\n<h3>Insert Song: Love of Two<\/h3>\n<p>As the Cosmo Zero returns to <em>Yamato<\/em>, Yuki looks back at her memories with Kodai accompanied by the song <em>Love of Two<\/em>, sung by Tomoko Kuwae.<\/p>\n<h3>19. \u629c\u3051\u308b\u30e4\u30de\u30c8 [<em>Yamato<\/em> departs]<\/h3>\n<p>With Dengil forces eradicated from the solar system, <em>Yamato<\/em> leaves to investigate Aquarius.<\/p>\n<ul>MC3 (2:42) track 5<br \/>\nEE (2:40) track 10<\/ul>\n<p><span class=\"textLtYellow\">\u30a6\u30eb\u30af\u306e\u6b74\u53f2 [History of Uruk] repeats as the defeated Lugal De Zahl reports to Emperor Lugal. Dengil&#8217;s link to Earth&#8217;s past is revealed.<\/span><\/p>\n<p><span class=\"textLtYellow\">\u5909\u5316\u3059\u308b\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Aquarius Changes] repeats as Uruk warps Aquarius one step closer to Earth.<\/span><\/p>\n<h3>20. \u6c34\u306e\u661f\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Water Planet Aquarius]<\/h3>\n<p><em>Yamato<\/em> encounters Aquarius and descends to its surface.<\/p>\n<ul>MC1 (3:50) track 1<br \/>\nTA1 (3:51) track 1<br \/>\nEE (3:47) track 11<\/ul>\n<h3>21. \u795e\u79d8\u306e\u661f\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Mysterious Planet Aquarius]<\/h3>\n<p>The ancient surface of Aquarius is revealed in all its glory<\/p>\n<ul>Film version<br \/>\nMC1 track 10 (4:37)<br \/>\nTA1 track 10 (4:31)<\/p>\n<p>Alternate version (edited)<br \/>\nEE track 12 (3:47)<\/ul>\n<p><span class=\"textLtYellow\">\u30a2\u30af\u30a8\u30ea\u30a2\u30b945\u5104\u5e74 [Aquarius 4.5 Billion Years] Version B (with scat) repeats as the Queen appears and explains the role of Aquarius as life-bringer to the galaxy, now under Dengil&#8217;s control.<\/span><\/p>\n<h3>22. \u30eb\u30ac\u30fc\u30eb\u7dcf\u7d71\u306e\u6226\u4e89 [War of Emperor Lugal]<\/h3>\n<p>Lugal De Zahl attacks <em>Yamato<\/em> on Aquarius; Uruk is sighted<\/p>\n<ul>MC1 track 12 (3:08)<br \/>\nTA1 track 3 (3:07)<br \/>\nYSA BGM track 16 (3:07)<\/ul>\n<p><span class=\"textBlue\"><em>Yamato Proceeds Through Unknown Space<\/em> (from <em>Be Forever<\/em> Music Collection Part 1, track 2) is heard as <em>Yamato<\/em> escapes and fires its counter-weapon at Dengil&#8217;s Hyper Radiation Missiles.<\/span><\/p>\n<h3>23. \u30a6\u30eb\u30af\u306e\u5927\u30c6\u30fc\u30de [Uruk Large Theme]<\/h3>\n<p>Lugal De Zahl&#8217;s fleet is wiped out by the Wave-Motion Gun. <em>Yamato<\/em> pursues him back to Uruk.<\/p>\n<ul>TA1 track 6 (5:40)<br \/>\nYSA BGM track 17 (5:39)<\/ul>\n<h3>24. \u9a5a\u7570\u306e\u30cb\u30e5\u30fc\u30c8\u30ea\u30ce\u30d3\u30fc\u30e0 [Wonder of the Neutrino Beam]<\/h3>\n<p>Uruk&#8217;s neutrino beam activates to stop <em>Yamato<\/em>&#8216;s charge. The first version fades, then the second starts as <em>Yamato<\/em> rallies.<\/p>\n<ul>First version<br \/>\nMC3 track 1 (2:51)<br \/>\nEE track 13 (2:49)<\/p>\n<p>Second version (edited)<br \/>\nBGM track 20 (1:07)<br \/>\nYSA BGM track 18 (1:09)<\/ul>\n<p><span class=\"textBlue\">The original <em>Yamato<\/em> victory theme (from Series 1) is heard as <em>Yamato<\/em> breaks through and crash-lands on Uruk&#8217;s surface.<\/span><\/p>\n<p><span class=\"textLtYellow\">\u5909\u5316\u3059\u308b\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Aquarius Changes] repeats as Uruk fires its warp beams at Aquarius.<\/span><\/p>\n<h3>25. \u795e\u6bbf\u90e8\u306e\u6597\u3044 [Battle of the Temple]<\/h3>\n<p>Uruk forces attack <em>Yamato<\/em> on the ground.<\/p>\n<ul>Film version<br \/>\nTA1 track 4 (4:09)<br \/>\nYSA BGM track 19 (4:07)<\/ul>\n<h3>26. \u30ed\u30dc\u30c3\u30c8\u30db\u30fc\u30b9\u8972\u6765 [Robot Horse Attack]<\/h3>\n<p>Emperor Lugal leads the ground attack. The Music Collection had a very different title for this track, which probably represents earlier story information.<\/p>\n<ul>MC2 track 8 (2:24) \u8d85\u5de8\u5927\u8266\u968a\u30ac\u30eb\u30f3\u30dc\u30eb\u30b9\u30c8 [Giant Battleship Garnbolst]\nEE track 14 (2:22)<\/ul>\n<p><span class=\"textLtYellow\">\u5909\u5316\u3059\u308b\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Aquarius Changes] repeats as Uruk continues firing its warp beams at Aquarius<\/span><\/p>\n<h3>27. \u5cf6\u5927\u4ecb\u306e\u82e6\u95d8 [Struggle of Daisuke Shima]<\/h3>\n<p>Shima is mortally wounded in the battle, but soldiers on.<\/p>\n<ul>BGM track 13 (1:20)<br \/>\nYSA BGM track 20 (1:22)<\/ul>\n<p><span class=\"textLtYellow\">\u5909\u5316\u3059\u308b\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Aquarius Changes] repeats as Uruk continues firing its warp beams at Aquarius.<\/span><\/p>\n<p><span class=\"textLtYellow\">FIGHT\u30b3\u30b9\u30e2\u30bf\u30a4\u30ac\u30fc\u2161 [Fight Cosmo Tiger II] repeats as the Cosmo Tigers launch and turn the tables on their attackers.<\/span><\/p>\n<p><span class=\"textBlue\"><em>Momentary Peace<\/em> (YSA <em>Yamato III<\/em> BGM Part 2, track 12) is heard as Uruk&#8217;s warp beams fade out and Shima thinks of his brother.<\/span><\/p>\n<p><span class=\"textBlue\"><em>Pursuit<\/em> (<em>Yamato III<\/em> Original BGM Collection, track 21) is heard as Uruk&#8217;s backup system engages to continue warping Aquarius.<\/span><\/p>\n<p><span class=\"textLtYellow\">\u5909\u5316\u3059\u308b\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Aquarius Changes] repeats as Uruk continues firing its revived warp beams at Aquarius.<\/span><\/p>\n<h3>28. \u5927\u9b54\u4eba [Great Demon]<\/h3>\n<p>Kodai leads a task force into the Uruk temple. The Dengil boy leads him deeper inside.<\/p>\n<ul>MC2 track 5 (2:29)<br \/>\nTA2 track 9 (2:28)<br \/>\nEE track 16 (2:28)<\/ul>\n<p>\u5927\u9b54\u795e\u306e\u30b3\u30fc\u30c9 [Great Demon Chord]\n<p>&#8220;Stinger&#8221; variant (not heard in the film)<br \/>\nYSA BGM track 32 (:25)<\/p>\n<p><span class=\"textLtYellow\">An excerpt from the middle portion of \u5927\u30c7\u30a3\u30f3\u30ae\u30eb\u5e1d\u56fd\u661f [Great Dengil Empire] is heard as Kodai faces off against Emperor Lugal. It cuts off as Lugal accidentally shoots his son, the Dengil boy.<\/span><\/p>\n<h3>29. \u30c7\u30a3\u30f3\u30ae\u30eb\u5c11\u5e74\u306e\u6b7b [Dengil Boy&#8217;s Death]<\/h3>\n<p>Kodai is outraged at Lugal&#8217;s actions; Lugal escapes and the boy says his last words. Aquarius warps away toward Earth.<\/p>\n<ul>BGM track 10 (1:06)<br \/>\nYSA BGM track 21 (1:07)<\/ul>\n<h3>30. \u5cf6\u3092\u60f3\u3046 [Thoughts of Shima]<\/h3>\n<p>Despite his wound, Shima struggles to get <em>Yamato<\/em> off Uruk as it self-destructs. <\/p>\n<ul>Film version<br \/>\nTA2 track 5 (3:46)<br \/>\nEE track 18 (3:43)<br \/>\nYSA BGM track 22 (3:45)<\/p>\n<p>Variant version (strings) not heard in the film<br \/>\nYSA BGM track 23 (1:24)<\/ul>\n<h3>31. \u5cf6\u3092\u60f3\u3046 [Thoughts of Shima] Violin solo version<\/h3>\n<p>Kodai returns to the bridge to find Shima dying; they share last words.<\/p>\n<ul>BGM track 12 (1:20)<\/ul>\n<h3>32. \u5cf6\u5927\u4ecb\u306e\u30c6\u30fc\u30de [Theme of Daisuke Shima]<\/h3>\n<p>Shima dies in Kodai&#8217;s arms. <\/p>\n<ul>MC3 track 10 (4:28) The portion heard in the film begins at 3:05<\/p>\n<p>Alternate version (piano and violin) not heard in the film<br \/>\nBGM track 11 (2:13)<\/ul>\n<h3>33. Symphony of the Aquarius (short version)<\/h3>\n<p><em>Yamato<\/em> pursues Aquarius, now on course for Earth. This is an excerpt from the full <em>Symphony of the Aquarius<\/em>, to be heard in the climax of the film.<\/p>\n<ul>YSA BGM track 24 (:56)<\/ul>\n<p><span class=\"textLtYellow\">\u5909\u5316\u3059\u308b\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 [Aquarius Changes] repeats as Kodai realizes a plan to deal with the crisis.<\/span><\/p>\n<h3>34. \u6c7a\u65ad [Decision]<\/h3>\n<p>Okita reveals his plan to Kodai and they discuss the future. This is a guitar solo version of \u6c96\u7530\u3068\u53e4\u4ee3 [Okita and Kodai], which has several variants not heard in the film.<\/p>\n<ul>BGM track 16 (1:10)<br \/>\nYSA BGM track 25 (1:09)<\/p>\n<p>Variant version A<br \/>\nTA2 track 11 (4:32) \u6c96\u7530\u3068\u53e4\u4ee3 (\u7236\u3068\u5b50) [Okita and Kodai (father and son)]\n<p>MC2 track 15 (4:33) \u6c96\u7530(\u7236)\u3068\u53e4\u4ee3(\u5b50) [Okita (father) and Kodai (son)]\n<p>Excerpt from Variant A (first part)<br \/>\nEE track 19 (2:57) \u6c96\u7530\u3068\u53e4\u4ee3 [Okita and Kodai]\n<p>Variant Version B<br \/>\nMC3 track 6 (4:15) \u6c96\u7530\u3068\u53e4\u4ee3 [Okita and Kodai]\n<p>Variant Version C (violin \/ piano \/ guitar solos)<br \/>\nBGM track 15 (2:49) \u7236\u3068\u5b50 [Father and Son]<\/ul>\n<p><span class=\"textBlue\">The sad version of the <em>Yamato<\/em> theme from Series 1 is heard as Kodai tells the crew <em>Yamato<\/em> must be sacrificed.<\/span><\/p>\n<p><span class=\"textBlue\">A suspense track from Series 1 is heard as Lugal&#8217;s forces surround <em>Yamato<\/em> for a killing blow.<\/span><\/p>\n<p><span class=\"textBlue\">Dessler&#8217;s attack theme from <em>Farewell to Yamato<\/em> is heard as he intervenes to save <em>Yamato<\/em>.<\/span><\/p>\n<h3>35. \u5225\u308c [Farewell]<\/h3>\n<p>This variant version of \u6c96\u7530\u3068\u53e4\u4ee3 [Okita and Kodai] is heard as Okita tells Kodai and Yuki to live for the future.<\/p>\n<ul>BGM track 14 (1:19)<br \/>\nYSA BGM track 26 (1:21)<\/ul>\n<h3>36. \u30e4\u30de\u30c8\u846c\u9001\u306e\u30c6\u30fc\u30de [<em>Yamato<\/em> Funeral Theme]<\/h3>\n<p>Kodai, Yuki and the crew send off Captain Okita with a final salute. This piece was excerpted from <em>Space Battleship Yamato Memorial<\/em>, track 7 of <em>Prelude to Final Yamato<\/em>. Two very different symphonic variants were also performed, but not used in the film (more info below).<\/p>\n<ul>Film version<br \/>\nYSA BGM track 27 (3:17) the portion heard in the film begins at 1:36<\/p>\n<p>Symphonic version<br \/>\nBGM track 22 (5:18) \u30d5\u30a1\u30a4\u30ca\u30eb\u30fb\u30e4\u30de\u30c8 [Final\u30fb<em>Yamato<\/em>]<\/ul>\n<h3>37. Symphony of the Aquarius<\/h3>\n<p>Captain Okita pilots <em>Yamato<\/em> alone against the raging flood waters of Aquarius.<\/p>\n<ul>MC2 track 13 (9:50)<br \/>\nTA2 track 13 (9:42)<br \/>\nEE track 20 (9:46)<\/ul>\n<p><span class=\"textBlue\"><em>The Universe Spreading into Infinity<\/em> is heard as the crew says their final goodbye to <em>Yamato<\/em>.<\/span><\/p>\n<p><span class=\"textLtYellow\">The <em>Yamato<\/em> victory theme from Series 1 is heard under the end credits. The credits incorrectly indicate <em>Space Battleship Yamato &#8217;83<\/em> as the closing title song.<\/span><\/p>\n<h3>Insert Songs<\/h3>\n<p><em>Rainbow to Tomorrow<\/em> and <em>Love Supreme<\/em> accompany the epilogue. Find info and lyrics in the <em>Final Yamato<\/em> discography <a href='https:\/\/www.ourstarblazers.com\/vault\/248'>here<\/a>. <\/p>\n<p><span class=\"textLtYellow\">\u30a2\u30af\u30a8\u30ea\u30a2\u30b945\u5104\u5e74 [Aquarius 4.5 Billion Years] Version B (with scat) repeats as <em>Yamato<\/em> takes its last voyage into infinity.<\/span><\/p>\n<hr \/>\n<div class='clear'>\n<h2><span class=\"textRed\">Music Not Heard in the Film<\/span><\/h2>\n<h3>\u6c96\u7530\u5fa9\u6d3b\u306e\u30b3\u30fc\u30c9 [Chord of Okita&#8217;s revival]<\/h3>\n<ul>YSA BGM track 29 (:11)<br \/>\nAlso found on BGM track 21 (1:39) \u30b3\u30fc\u30c9\u5404\u7a2e [Various Chords], first cue<\/ul>\n<h3>\u79fb\u52d5\u8981\u585e [Mobile Fortress]<\/h3>\n<p>Only the opening portion of this track was heard in the film, titled \u79fb\u52d5\u8981\u585e\u306e\u30b3\u30fc\u30c9(TYPE A) [Chord of the Mobile Fortress (type A)]. Here are the other versions:<\/p>\n<ul>Version A<br \/>\nMC2 track 3 (3:01)<br \/>\nEE track 3 (3:18)<\/p>\n<p>Version B<br \/>\nTA1 track 8 (4:11)<br \/>\nYSA BGM track 15 (4:10)<\/p>\n<p>\u79fb\u52d5\u8981\u585e\u306e\u30b3\u30fc\u30c9(TYPE B) [Chord of the Mobile Fortress (type B)]\nYSA BGM track 31 (:19)<\/ul>\n<h3>\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 \u30ec\u30af\u30a4\u30a8\u30e0 [Aquarius Requiem]<\/h3>\n<ul>Symphonic track<br \/>\nMC2 track 12 (3:34)<\/ul>\n<h3>\u30a2\u30af\u30a8\u30ea\u30a2\u30b9 \u30ec\u30af\u30a4\u30a8\u30e0 II [Aquarius Requiem II]<\/h3>\n<ul>Symphonic track<br \/>\nMC3 track 11 (3:31)<\/ul>\n<h3>\u30c7\u30a3\u30f3\u30ae\u30eb\u5c11\u5e74\u306e\u30c6\u30fc\u30de [Theme of the Dengil Boy]<\/h3>\n<ul>Version A<br \/>\nBGM track 7 (2:19)<\/p>\n<p>Version B<br \/>\nMC2 track 14 (3:04)<br \/>\nTA2 track 7 (3:02)<\/p>\n<p>Version C<br \/>\nMC3 track 4 (4:44)<br \/>\nEE track 17 (4:41) \u8584\u5e78\u306e\u30c7\u30a3\u30f3\u30ae\u30eb\u5c11\u5e74 [Unfortunate Dengil Boy]<\/ul>\n<h3>\u8584\u5e78\u306e\u30c7\u30a3\u30f3\u30ae\u30eb\u5c11\u5e74 [Unfortunate Dengil Boy]<\/h3>\n<ul>Version A<br \/>\nBGM track 9 (1:05)<\/p>\n<p>Version B<br \/>\nMC2 track 10 (4:02)<br \/>\nTA2 track 10 (4:00)<\/ul>\n<h3>\u30d5\u30a1\u30a4\u30ca\u30eb \u30e4\u30de\u30c8 [Final <em>Yamato<\/em>]<\/h3>\n<ul>Symphonic track<br \/>\nMC2 track 6 (3:57)<\/ul>\n<h3>\u30d5\u30a1\u30a4\u30ca\u30eb \u30e4\u30de\u30c8 \u6597\u3044 [Final <em>Yamato<\/em> Fight]<\/h3>\n<ul>Symphonic track<br \/>\nMC3 track 2 (2:01)<\/ul>\n<h3>\u3075\u305f\u308a\u306e\u30b3\u30b9\u30e2\u30bc\u30ed [Two in the Cosmo Zero]<\/h3>\n<ul>Symphonic track<br \/>\nMC2 track 11 (1:59)<\/ul>\n<h3>\u30e4\u30de\u30c8\u60b2\u6134\u306a\u308b\u51fa\u6483 [Grievous Sortie of <em>Yamato<\/em>]<\/h3>\n<p>Symphonic track, excerpts used in the <em>Final Yamato<\/em> trailer<\/p>\n<ul>MC1 track 3 (5:05)<br \/>\nTA1 track 3 (5:08)<\/ul>\n<h3>\u30e6\u30ad\u306e\u30c6\u30fc\u30de [Theme of Yuki]<\/h3>\n<p>A variant of this piece titled \u53e4\u4ee3\u541b\u3088\u304b\u3063\u305f [Good, Kodai-kun] was heard in the film. These two were not.<\/p>\n<ul>Version A<br \/>\nBGM track 4 (2:32)<\/p>\n<p>Version B<br \/>\nMC3 track 9 (3:32)<\/ul>\n<h3>\u60b2\u3057\u307f [Sorrow]<\/h3>\n<ul>Symphonic track<br \/>\nMC2 track 7 (4:29)<\/ul>\n<hr \/>\n<div class='clear'>\n<h2><span class=\"textRed\">Symphonic Music Heard in the Radio Drama<\/span><\/h2>\n<p>The following tracks were heard exclusively on the <em>Final Yamato<\/em> radio drama broadcast on <em>All Night Nippon<\/em> January 15, 1983. Regrettably, a commercial version of that program has never been released.<\/p>\n<h3>FIGHT!\u30b3\u30b9\u30e2\u30bf\u30a4\u30ac\u30fc [Fight! Cosmo Tiger]<\/h3>\n<ul>MC1 track 9 (5:41)<\/ul>\n<h3>\u65b0\u30b3\u30b9\u30e2\u30bc\u30ed [New Cosmo Zero]<\/h3>\n<ul>MC1 (2:29) track 11<br \/>\nTA1 (2:30) track 9<\/ul>\n<h3>\u30c7\u30a3\u30f3\u30ae\u30eb\u661f [Planet Dengil]<\/h3>\n<ul>MC1 track 8 (4:04)<\/ul>\n<h3>\u30e6\u30ad [Yuki]<\/h3>\n<ul>MC1 track 5 (3:26) variant of \u30e6\u30ad\u306e\u30c6\u30fc\u30de [Theme of Yuki]<\/ul>\n<h3>\u30eb\u30ac\u30fc\u30ebJR\u306e\u6226\u4e89 [War of Lugal Jr]<\/h3>\n<ul>MC1 track 4 (4:00)<\/ul>\n<h3>Theme of <em>Space Battleship Yamato<\/em> &#8217;83<\/h3>\n<p>This was the instrumental portion of <em>Space Battleship Yamato<\/em> &#8217;83, which was released as a single.<\/p>\n<ul>MC3 track 14 (4:48) \u5b87\u5b99\u6226\u8266\u30e4\u30de\u30c8&#8217;83(\u30ab\u30e9\u30aa\u30b1)<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":["post-14939","post","type-post","status-publish","format-standard","hentry","category-music-video-final-yamato"],"_links":{"self":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/14939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/comments?post=14939"}],"version-history":[{"count":30,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/14939\/revisions"}],"predecessor-version":[{"id":26613,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/posts\/14939\/revisions\/26613"}],"wp:attachment":[{"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/media?parent=14939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/categories?post=14939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ourstarblazers.com\/vault\/wp-json\/wp\/v2\/tags?post=14939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}